“She
has no need to fear the fall
Of
harvest from the laddered reach
Of
orchards, nor the tide gone ebbing
From the steep beach.
“Nor
hold to pain’s effrontery
Her
body's bulwark, stern and savage,
Nor
be a glass, where to forsee
Another’s ravage.
“What
she has gathered, and what lost,
She
will not find to lose again.
She
is possessed by time, who once
Was loved by men.”
I
take the woman in the poem to be dead or to have entered some death-like realm
in life. She is “possessed by time,” beyond “pain’s effrontery.” In his preface
to Volume 5 of the New York Edition, The
Princess Casamassima, Henry James describes the title character (Christina
Light) as “world-weary – that was another of her notes; and the extravagance of
her attitude in these new relations would have its root and its apparent logic
in her need to feel freshly about something or other – it might scarce matter
what.” In the final sentence of the preface, James fashions a brave artistic
credo:
“What
it all came back to was, no doubt, something like this wisdom – that if you
haven’t, for fiction, the root of the matter in you, haven’t the sense of life
and the penetrating imagination, you are a fool in the very presence of the
revealed and assured; but that if you are so armed you are not really helpless,
not without your resource, even before mysteries abysmal.”
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