I
missed the birthday this week of the English poet Elizabeth Jennings. She was
born in Boston, Lincolnshire, on July 18, 1926, and died Oct. 26, 2001, in
Bampton, Oxfordshire. She’s buried in Wolvercote Cemetery alongside Isaiah
Berlin, J.R.R. Tolkien and James Murray, founding editor of the Oxford English Dictionary. I sense her
work has never been well-known in the U.S. and is mostly forgotten in the U.K.
Though a woman, her demographics have never been fashionable. She was a serious
Roman Catholic, not an academic, an elastic formalist and never conspicuously
political. She was also popular, by poetry market standards. Her Selected and Collected volumes of 1979 and 1986, respectively, sold more than
86,000 copies. When
Nicholas Lezard reviewed her hefty Collected
Poems last year, he called her work “accessible without being shallow,” as
though such a distinction were necessary.
She takes her rightful place among the most gifted of her English
contemporaries – Smith, Enright, Larkin, Sisson, Gunn and Hill. Take “Green
World” from Extending the Territory
(1985), in which she reclaims “green” from the ideologues and returns it to the
world of Shakespeare’s comedies:
“The
green world stands in its accomplished guise
Under
elusive suns. Our gardens reach
Up
to the cruising clouds. Before our eyes
The
downward world is prodigally rich.
Summer
wins from Nature her vast prize.
“Elegiac
moods, nostalgia too
Are
absent and we live in strong today,
Watching
the green stride and sustain a view.
The
very light is eagerly at play
And
there are silences for me and you.
“Silence
broken by the planning birds,
Their
peaceful bickering. The winds are light
Yet
strong enough to give refrains to words
And
whisper through the star-decisive night.
The
sunlight also holds us on strong cords,
The
green world bows before admiring sight.”
With
gardens we accommodate ourselves to the world. Our reward is green. Charles
Lamb writes in one of his Essays of Elia,
“New Year’s Eve”: “I am in love with this green earth; the face of town and
country; the unspeakable rural solitudes, and the sweet security of streets. I
would set up my tabernacle here.”
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