“Separate
from the pleasure of your company, I don’t much care if I never see a mountain
in my life. I have passed all my days in London, until I have formed as many
and intense local attachments as any of you mountaineers can have done with
dead Nature.”
Lamb was the
ur-urban dweller. One can’t imagine him retiring to pastoral sublimity. Some
people feel swallowed by the city and its resident herd. They can’t breathe.
Not Lamb, who assembles a Dickensian catalog of London delights:
“The lighted
shops of the Strand and Fleet Street; the innumerable trades, tradesmen, and
customers, coaches, waggons, playhouses; all the bustle and wickedness round
about Covent Garden; the very women of the Town; the watchmen, drunken scenes,
rattles; life awake, if you awake, at all hours of the night; the impossibility
of being dull in Fleet Street; the crowds, the very dirt and mud, the sun
shining upon houses and pavements, the print shops, the old Book stalls, parsons cheapening books,
coffee-houses, steams of soups from kitchens, the pantomimes - London itself a
pantomime and a masquerade - all these things work themselves into my mind, and
feed me, without a power of satiating me.”
As we get
older we prize familiarity, while the young fancy novelty. Lamb was very
much a homebody. After his sister Mary murdered their mother in a fit of
madness in 1796, Lamb remained a bachelor and spent the rest of his life caring
for her. Home meant sanctuary, a place to be safe. The world would be a happier place if we adopted Lamb’s philosophy, though it’s less a philosophy
than an expression of his idiosyncrasy. People happy at home don’t go looking for
trouble:
“My
attachments are all local, purely local.—I have no passion (or have had none
since I was in love, and then it was the spurious engendering of poetry &
books) to groves and vallies.—The rooms where I was born, the furniture which
has been before my eyes all my life, a book case which has followed me about (like
a faithful dog, only exceeding him in knowledge) wherever I have moved, old
tables, streets, squares, when I have sunned myself, my old school,—these are
my mistresses.”
Curiously I was just reading Mr Bonamy Dombree describing how in the late 17th century many English found mountains, or rather the idea of mountains ("horrid Alps"), grotesque. The appreciation for them grew however with a larger appreciation for nature scenery in both painting and poetry in the early 18th century. Anyways, this just brings me to say don't be too keen on Nebraska over Switzerland. I lived there for almost a decade and it really is a dreadfully dull topography especially the more time you pass looking at it. Never seen anyone go dull in the eyes describing Switzerland!
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