“It sounds corny, and
melodramatic, but this essay had a visceral effect on me. I read it alone in a
dorm room, one Friday night while rain beat down. All alone on a Friday
night--no, I didn't have much of social life. I think for the first time I
understood excellence in prose, that it wasn’t all the same, that men could
work legerdemain with words, create art.”
The classic expression of
reading’s centrality to one’s life is Guy Davenport’s essay “On Reading” in The
Hunter Gracchus (1996). While still a boy Davenport learned: “And then I
made the discovery that what I liked in reading was to learn things I didn’t
know.” Some adults never grasp this seemingly self-evident truth. And this: “It
is a truism that reading educates. What it does most powerfully is introduce
the world outside us, negating the obstructions of time and place.” Seasoned
readers know the pleasures of self-forgetting through books. With it comes a
sense of familiarity with others. Nothing human is alien to the well-read. My
friend reread Macaulay’s essay the other night and enjoyed it all over again:
“At the beginning of the
essay, I was much taken with this sentence, reveling in its construction: ‘In
the child, the physical, intellectual, and moral peculiarities which afterwards
distinguished the man were plainly discernible; great muscular strength
accompanied by much awkwardness and many infirmities; great quickness of parts,
with a morbid propensity to sloth and procrastination; a kind and generous
heart, with a gloomy and irritable temper.’”
Macaulay celebrates the
gravitas of Johnson’s style by almost imitating it. The sentence begins with a
thesis followed by series of elegantly balanced proofs. “The man knows how to write,”
my friend says, almost unnecessarily. Here is the latter half of Macaulay’s
final sentence in his Johnson essay:
“[O]ur intimate
acquaintance with what he would himself have called the anfractuosities of his
intellect and of his temper serves only to strengthen our conviction that he
was both a great and a good man.”
Anfractuosity is a very
Johnsonian word. From the Latin by way of the French, the adjective form is
defined in his Dictionary as “winding; mazy; full of turnings
and winding passages.” The OED reminds us the word can also refer to “the
grooves or furrows separating the convolutions on the surface of the brain.”
I think most of us who grew into readers in the first half of the second half of the previous century met anfractous first in Eliot's "Sweeney":
ReplyDeletePaint me the bold anfractuous rocks
Faced by the snarled and yelping seas
It was personal reading, no school assignment. Smart kid as I was, and smug as smart, I didn't then look the word up but etymologized it as unbroken, hence rocks without fissure or seam, pure perfect monoliths. Which fit the case so neatly completely that I didn't learn different till I was mumble years older.