“Whenever I see someone denigrate a book that is 100 years old or more, and scornfully call it bad, boring, and overrated, I can’t help wondering why they can’t be a bit more, you know, humble.”
Because humility is a rare human impulse and
denigration is easier than gratitude. Think about it in reductive
terms: Someone writes a book. It is widely read or not. Some critics champion it.
Others dismiss it. A century later, a reader takes it from the library shelf and
something tells him to give it a chance. In my experience, that’s a critical
moment, one I don’t understand. Choosing a book about which you know little or
nothing is an act of hope and faith. I won’t get into the merits of “vibes,”
except to say they exist. As an adolescent, that’s how I first encountered Kafka and
Dostoevsky, writers once important to me. The method isn’t foolproof. Sometimes
we choose dull or stupid books, or books that aren’t right for us. Perhaps we are not the ideal reader. Kafka and Dostoevsky are no longer
right for me but others prize them. The library is a big place
The passage at the top was written by a blogger in
England, Hai Di Nguyen. I like the simplicity and charm of the sentiment. Literature is a
vast gift, free for the taking. It's not that old is good and new is bad. Our ancestors wrote plenty of lousy books. Our blogger has standards:
“Of course, not all writers I initially don’t like
end up becoming favourites. I still struggle with Henry James. I have reservations
against Charlotte Bronte, and doubt I can ever warm to George Eliot. People do
have personal taste.”
Serious readers are idiosyncratic. I love James
and Eliot, and have never read Brontë. I see that Nguyen loves The Tale of
Genji. Despite several resolutions, I still haven’t read it. Part of
humility is knowing our weaknesses and limitations. Do I read Lady Murasaki or
Proust again? At my age, the decision isn’t obvious. How refreshing to
encounter a young reader so ambitious, open-minded, confident and industrious:
“To me, Tolstoy and Melville are giants, towering
above almost everyone else in literature—when facing Anna Karenina, War
and Peace, or Moby Dick, I’m overwhelmed, I’m in awe of their
genius. When I see a reader express not only dislike but also disdain towards
them, part of me is amused—these books need no defence. But at the same time,
I’m appalled at the arrogance.”
Like humility, awe is sparsely distributed among
readers and other humans.
Oh hi. Thanks for this.
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