Count on Falstaff for colorful, spirited invective:
“Strike; down with them;
cut the villains' throats:
ah! whoreson caterpillars!
bacon-fed knaves! they
hate us youth: down with
them: fleece them.”
This is from Act II, Scene 2 of Henry IV, Part 1, set on a highway where Falstaff and his drunken cronies
(including Prince Henry) are robbing a group of travelers. I liked “whoreson
caterpillars!” enough to remember it on Saturday when I found this in the garden:
That’s the caterpillar of
a monarch butterfly, systematically defoliating one of our plants. I like
butterflies even more than plants, so I took his picture and left him alone. Caterpillar
has a complicated etymology, which we won’t go into here, but it seems to have entered
English in the fifteenth century, a century and a half before Shakespeare. He
liked the word enough to use it three other times in his work -- twice in Henry
IV, Part 2, once in Venus and Adonis, and twice in Richard II. In
each case, the insects are cited as rapacious consumers of vegetation. The
second appearance of caterpillar in Richard II (Act III, Scene 4)
is spoken in the Duke of York’s garden by a servant and is part of a beautiful,
pertinent extended metaphor:
“Why should we in the
compass of a pale
Keep law and form and due
proportion,
Showing, as in a model,
our firm estate,
When our sea-walled
garden, the whole land,
Is full of weeds, her
fairest flowers choked up,
Her fruit-trees all
upturned, her hedges ruin’d,
Her knots disorder’d and
her wholesome herbs
Swarming with
caterpillars?”
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