Only Shakespeare, Dryden and Milton are cited more often than Francis Bacon (1561-1626) in Dr. Johnson’s Dictionary of the English Language (1755). We learn from W. Jackson Bate’s biography the importance of Bacon to Johnson and his great book:
“Longinus speaks of the
influence of great models in enabling us to become our best selves. The formative
influence here was the greatest master of compression in English style, Francis
Bacon, whose works Johnson had been reading for the first times while gathering
quotations for the Dictionary, and ‘from whose writings alone,’ he said, ‘a
Dictionary of the English Language might be compiled. . . . The extent to which
he assimilated Bacon has not been recognized. Yet one of his primary themes,
from The Vanity of Human Wishes (1748) to Rasselas (1759), is a
development of Bacon’s treatment of the whole psychology of wishing and of hope,
and in particular of boredom and satiety.”
Consider the opening sentence
of Bacon’s essay “Of Empire,” which both stylistically and in terms of thought
might have been written more than a century later by Johnson:
“It is a miserable state
of mind, to have few things to desire, and many things to fear; and yet that
commonly is the case of kings; who, being at the highest, want matter of
desire, which makes their minds more languishing; and have many representations
of perils and shadows, which makes their minds the less clear.”
Bates says Bacon provided
Johnson with “an ideal of style involving a union of compression and metaphor,
of practical wisdom and imagination.” In his Adventurer essay published
on this date, August 28, in 1753 -- two
years before his Dictionary came out – Johnson begins by citing what is
probably Bacon’s best-known phrase, from “On Studies”:
“It is observed by Bacon,
that ‘reading makes a full man, conference [conversation] a ready man, and
writing an exact man.’
“As Bacon attained to
degrees of knowledge scarcely ever reached by any other man, the directions
which he gives for study have certainly a just claim to our regard; for who can
teach an art with so great authority, as he that has practised it with undisputed
success?”
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