“[S]uddenly the clouds would part, and his satiric joie de vivre would reassert itself, and he’d break me up laughing; he had an almost tender regard for human folly, his own included, that I found endlessly funny.”
This might describe the second-funniest
person I’ve known. Like many funny people, words for him were toys, malleable
like Play-Doh. Sound and sense were up for grabs. Like me, he loved puns, clichés
and platitudes. We once spent an hour riffing on a favorite expression of my
mother’s: “I’ll bet you dollars to doughnuts . . .” What we found funniest
about such shopworn phrases was the solemnity and conviction with which some
people used them.
The other side of my friend’s
temperament was a periodic glacial silence. In retreat he became catatonic.
This could go on for hours or days. I learned not to take it personally and
knew he would return, usually with a joke or a sarcastic wisecrack. At the top,
Ben Downing describes his friend, Tom Disch, the mordantly funny poet who
committed suicide on July 4, 2008. I remembered it while reading Disch’s “Duelling
Platitudes,” a sixteen-stanza collection of linked cliches in About the Size
of It (2007). It concludes:
“A queen who tells us to
eat cake
may be making
a big mistake,
“But the same advice from
our corner baker
is par for the course,
not grounds for divorce.
“All adages are relative;
each
will have its season.
So dare to eat your peach,
My friend, but keep it
within reason.”
1 comment:
Just as a matter of interest, Disch's suicide, which went mostly unremarked in the US, is mentioned and lamented in some detail in Michel Houellebecq's novel, Seretonin.
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