Too often I take for granted how good a poet Timothy Steele is. Uncertainties and Rest (1979), his first collection, is the work of a mature young man (he was thirty-one) and I remember being impressed that such a poetic anomaly could still be written and published when it was. His work was reassuring. Never flashy, Steele’s poems are well-made, metrically regular and meditative. Among his masters are Jonson, Frost, Auden, Cunningham and Winters. His manner is an update of the plain style – much maligned by the nineteen-seventies, when free verse had already declared a premature victory. Last week, after a friend found a copy of Steele’s edition of The Poems of J.V. Cunningham (1997) in a Washington, D.C. bookstore, I returned to Steele’s early poems.
“Three Notes Toward Definitions” is collected in Steele’s first book and consists of three
sections: “Of Culture,” “Of Faith” and “Of Friendship.” The sequence begins
satirically:
“Culture. It’s
an ingredient used in making
Pineapple yogurt, Gothic cathedrals.
It's Isaac Newton's experiments with prisms
Its opposite being, one supposes,
Fried chicken TV dinners, plastic roses,
Confessional novels brimming over
With soul and solecisms.”
Steele makes
it clear there’s nothing stuffy or Arnoldian about his understanding of culture.
Dr. Johnson gets a passing nod and so does Billie Holiday. His tone is breezy
without trivializing the subject: “Culture? It’s life humanely felt. / (See too
Politeness, Mercy, Hope.)” “Of Faith” begins:
“A puzzling
topic, this. Should be filed under
Assurance,
Things Unseen, Intimations. Yet
For all of
its obscurities, it is
Expressed
innumerably in objects--viz.,
A pencil, a
French cigarette,
Suspension
bridges, drawings of the sea,
Etchings of Japanese
severity.”
What this
seemingly random catalogue implies, Steele tells us, are “convictions that our
lives sustain.” Faith is like scaffolding, lending structure to life, suggesting
“a certain truth”:
“It is the
incomplete and unexplored
That often
offer the most true reward.
(See Hebrews ii. I-33,
St.
Augustine's Confessions, Pascal's Pensées,
Darwin’s Autobiography.)”
Steele is not a densely allusive poet, making his footnotes-in-verse even more interesting. “Of Friendship” begins “Byron considered it love without wings.” The section concludes with another, more substantial nod to Dr. Johnson, and a more mature understanding of friendship:
“We might
(again invoking Johnson) say
That
friendship offers troubles we’re inclined
To cherish.
Solitude is bliss?
There’s that
opinion, to be sure.
But there
are ills of heart and mind
Which only
companionship can cure.”
Steele, as a poet, makes an excellent companion. He is a model of balance in
an unbalanced age:
“Misunderstandings,
vagaries of spleen,
“All the
minutiae of despair
It is in spite of these one comes to share
Experience, and sharing it, confirms
The Other in The Other’s terms
And not one’s own. (Consult as well
Restriction,
Patience and Love.)”
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