A reader has asked me and others to recall a favorite television commercial from childhood and write about it. I declined. Two risks accompany the request. The first, campiness, I find simple to ignore. Camp prompts cheap and easy laughs, and feels dishonest. Laughs should be earned. Nostalgia, too, is cheap and easy. Roger Scruton described it as “an unhealthy state of mind,” and people my age seem particularly susceptible to it.
During World
War II, having returned to England from Italy, Max Beerbohm broadcast talks and
readings on the BBC. Of them, Rebecca West wrote, “I felt that I was listening
to the voice of the last civilized man on earth. Max’s broadcasts justify the
entire invention of broadcasting.” On September 18, 1942, Beerbohm spoke on “Advertisements,”
which had proliferated in England, in the form of signs and billboards, during
his absence:
“[T]he kind
of noisiness that had increased more than any other was that visible kind which
is especially unbeloved by me. There had been an horrific increase in the
volume, the torrential spate and flood of—advertisements.”
We don’t
have cable so we’re spared the assault of commercials on network television, but
like all Americans we know the blight of signs violating roadsides and even the bodies
of tractor-trailers. Billboards have grown three-dimensional with the addition
of cows, automobiles and oversized beer cans and hot dogs. Even the pumps at
gas stations are topped with screens playing commercials, and don’t get me
started on online ads and those on the front page of newspapers. Beerbohm
writes:
“If I were
endowed with wealth, I should start a great advertising campaign in all the
principal newspapers. The advertisements would consist of one short sentence,
printed in huge block letters -- a sentence that I once heard spoken by a
husband to a wife: ‘My dear, nothing in this world is worth buying.' But of
course I should alter ‘my dear’ to ‘my dears.’”
I remember a
lesson from the publisher after he hired me for my first job as a newspaper
reporter. We were touring the room where the pages were being laid out for that
week’s edition. He said: “You’ll notice that the first thing we put on the page
are the ads,” suggesting that stories and photos, the nominal reasons I had
been hired, were dubious afterthoughts.
There’s really
no argument about the effectiveness of advertising. It sticks in memory,
insidiously, like other traumas. To that degree, it works. From childhood I
remember, after sixty years, dozens of jingles from radio and television commercials for breakfast cereal,
beer, Cleveland car dealers and even for products I have never purchased, like
cigarettes. Of course, I watched an appalling volume of television when I was a
kid. I’m reminded by Beerbohm not to get too worked up over such things:
“I wish,
Ladies and Gentlemen, I could cure myself of the habit of speaking ironically.
I should so like to express myself in a quite straightforward manner. But
perhaps it’s as well that I can’t; for, if I could, my language might be
over-strong for Sunday evening.”
[You’ll find
Roger Scruton’s line in On Hunting
(St. Augustine’s Press, 1998). Max Beerbohm’s broadcast is
collected in Mainly on the Air (1946;
rev. 1957).]
Agreed, nostalgia certainly can be cheap and easy – but there's a more exalted form, isn't there, which is a kind of painful longing or homesickness (the root meaning). This might be 'unhealthy', but it's genuine and quite profound, and, like other forms of longing (sehnsucht), has certainly inspired some great art. Think Schubert's songs, Housman's 'Into my heart', etc...
ReplyDeleteSchubert, yes. Add to this Mendelssohn and Brahms.
ReplyDelete