On June 26, 1857, in Springfield, Ill., his final resting place eight years later, Abraham Lincoln delivered a speech in reply to Stephen Douglas, who two weeks earlier had defended the U.S. Supreme Court’s Dred Scott decision. Lincoln spoke plainly, as usual, not indulging in safe, inflated generalities:
“That
decision declares two propositions – first, that a negro cannot sue in the U.S.
Courts; and secondly, that Congress cannot prohibit slavery in the Territories.
It was made by a divided court – dividing differently on the different points.
Judge Douglas does not discuss the merits of the decision; and, in that
respect, I shall follow his example . . .”
Lincoln defers
to the Constitution itself, as he often would as president, and even feigns compromise,
for rhetorical effect, with Douglas:
“We believe,
as much as Judge Douglas, (perhaps more) in obedience to, and respect for the
judicial department of government. We think its decisions on Constitutional
questions, when fully settled, should control, not only the particular cases
decided, but the general policy of the country, subject to be disturbed only by
amendment of the Constitution as provided in that instrument itself. More than
this would be revolution.”
As always,
Lincoln defends the Union. Secession, four years away, is still unthinkable – “revolution.”
Preliminaries out of the way, Lincoln gets down to business:
“But we
think the Dred Scott decision is erroneous. We know the court that made it, has
often over-ruled its own decisions, and we shall do what we can to have it to
over-rule this. We offer no resistance to it.”
The debate over Lincoln’s motives and seemingly conflicting values – preserving the Union, ending slavery – continues. I’m no Lincoln scholar but I’ve never seen these goals as mutually exclusive. The Founders brokered a compromise, one that could only be resolved violently. The inevitability of the Civil War ought to surprise no one. No other nation ever went to war against itself to achieve its ideals and live up to a higher vision of itself: "the better angels of our nature."
In The Poisoned Crown (1944), the English
critic and biographer Hugh Kingsmill devotes an admiring chapter to Lincoln.
Kingsmill is much taken with the president’s complicated melancholic nature:
“With many
of the qualities but none of the inward illumination of a saint, he possessed
no choice between complete despair and faith that the kingdom of heaven which
he could not find in his own unhappy heart existed in the world around him, or
at least could be brought into being in the land to which his ancestors had
escaped from the oppression and iniquities of the older world. The preservation
of the Union meant for him the preservation of the dream which reconciled him
to life. It was not a thing he could reason about.”
Consider how Lincoln closes his Springfield speech, one of his memorable deployments of what we can legitimately call poetry, tempered by the particulars of political realism:
“The
plainest print cannot be read through a gold eagle; and it will be ever hard to
find many men who will send a slave to Liberia, and pay his passage while they
can send him to a new country, Kansas for instance, and sell him for fifteen
hundred dollars, and the rise.”
In his 1960
pamphlet “Lincoln, the Literary Genius,” Jacques Barzun draws an implicit
comparison between artists and statesmen:
“The artist
contrives means and marshals forces that the beholder takes for granted and
that the bungler never discovers for himself. The artist is always scheming to conquer
his material and his audience. When we speak of his craft, we mean quite
literally that he is crafty.”
What is the meaning of "and the rise"?
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