Some writers try too hard to follow the Poundian injunction “Make It New” rather than the commonsensical “Make It Good.” From the reader’s perspective, there’s another sense in which novelty is overrated as a literary virtue. Blurb-heavy new books freighted with “buzz” tend to get disproportionate attention, which is more a function of marketing than literary worth. This post is not just another defense of old books over new.
Even stalwart
readers have blind spots, books and writers they have not only never read but
never heard of. That’s the reason I’m a sucker for features like “The Best Books You Haven’t Read …” published in the December 2009 issue of The American Conservative and recommended
to me by a longtime reader. The editors ask fifteen writers to vouch for books
they suspect have been ignored, forgotten or neglected. Several suggest works I
know fairly well and even treasure.
David
Bromwich does readers the favor of citing by title two stories by Elizabeth
Bowen, which is more helpful than making a vague gesture toward “her short
fiction.” Both are set in London during World War II. Remember what Howard Moss
said of the Anglo-Irish Bowen: “Her amazing vocabulary was partly the result, I
think, of her conquering her stutter. She seemed to know synonyms for every
word in English. Her celebrated command of language may have begun as an effort
to circumvent it, and her wit, in part, derived from the successes and the
failures thereof.”
Jeffrey Hart
nominates one of my early bookish crushes – Sherwood Anderson. I read Winesburg, Ohio (1919) at age seventeen.
Both of us were native Ohioans and that probably helped. Hart wisely dismisses
most of Anderson’s other fiction, especially the novels. He had no gift for
longer forms, with the partial exception of Poor
White (1920). Anderson’s taint was sentimentality, which is death on any
writer, and his prose was too often mushy. But as Hart notes, “No doubt about
it, these sketches come to life on the page.”
Chilton
Williamson Jr. recommends Charles Doughty’s Travels
in Arabia Deserta (1888), which I reread during the early months of the
COVID-19 lockdown. Williamson writes: “Arabia
Deserta is notable for the depth of its empathy for an almost impossibly
foreign people and culture. Doughty was one of those artists on whom, as Henry
James said, nothing is lost. The book is remarkable also for its literary style.”
All true.
Most of the
other contributors nominate books previously unknown to me, several of which
sound interesting. Many are devoted to politics, which I largely ignore, but a travel book, All the Time in the
World (1966), by the English poet Hugo Williams, sounds good enough for me
to have put on hold at the library. Jacob Heilbrunn proposes another intriguingly
unknown quantity: The Nemesis of Power:
The German Army in Politics, 1918-1945 (1954) by John Wheeler-Bennett.
The American Conservative feature reminds us that we have no excuse for complaining that that we have nothing to read. That’s what libraries, interlibrary loan, bookstores and online book dealers are all about.
2 comments:
Pound's "Make it new" wasn't a call for novelty in that sense. He was saying, "Make it anew," the "it" being perennial.
Amen.
Interlibrary loan is a real gift, at less than a dollar per copy at my local public library.
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