“We were a foraging family, completely unaware of our passion for getting at things hard to find. I collected stamps, buttons, the cards that came with chewing gum, and other detritus, but these were private affairs with nothing of the authority of looking for Indian arrowheads.”
I have little interest in American-Indian culture and none in
accumulating more stuff of any sort, except books, but I understand Guy
Davenport’s fondness for hunting after those artful bits of chert or flint.
In my favorite among his essays, “Finding” (The Geography of the Imagination, 1981), he describes his family’s weekend
outings “to look for Indian arrows,” as they called it. This was in southern
South Carolina and northern Georgia, in the 1930s and 1940s.
Seventeen
years ago, at the suggestion of a rock-collecting editor, we took the
boys to Lake Livingston, seventy miles north of Houston, to hunt along the shore for petrified
wood, pottery shards, spear points and arrowheads. We returned
home with 15 pounds of rose quartz and lake-polished stones, and one prize – a honey-colored
hide scraper about seven inches long made of chert. My wife keeps it in her
jewelry box. It’s a beautiful piece of human cunning and a bittersweet reminder of the
boys when they were little.
The trips to
Lake Livingston revived memories of my own. In the mid-sixties we visited relatives
of my mother who lived on a dairy farm near Olean, N.Y. In the pastures, among
the cow patties, were loose chunks of fossil-bearing limestone. My brother and
I filled a cardboard box with the remains of trilobites and ferns and hauled
them back to Ohio. Centuries from now, geologists may ponder the migration of
so much fossiliferous limestone to a creekbed in Northeastern Ohio,
otherwise filled with sandstone. Now I have found a poem by Jared Carter, “After the Rain,” which begins:
“After the
rain, it’s time to walk the field
again, near
where the river bends. Each year
I come to
look for what this place will yield –
lost things
still rising here.”
“The
farmer’s plow turns over, without fail,
a crop of
arrowheads, but where or why
they fall is
hard to say. They seem, like hail,
dropped from
an empty sky . . .”
In his
essay, Davenport captures the heightened awareness that accompanies purposeful
looking:
“What lives
brightest in the memory of these outings is a Thoreauvian feeling of looking at
things – earth, plants, rocks, textures, animal tracks, all the secret places
of the out-of-doors that seem never to have been looked at before, a hidden
patch of moss with a Dutchman’s Breeches stoutly in its midst, aromatic stands of
rabbit tobacco, beggar’s lice, lizards, the inevitable mute snake, always just
leaving as you come upon him, hawks, buzzards, abandoned orchards rich in
apples, peaches or plums.
“Thoreauvian,
because these outings, I was to discover, were very like his daily walks, with
a purpose that covered the whole enterprise but was not serious enough to make
the walk a chore or a duty. Thoreau, too, was an Indian-arrowhead collector, if
collector is the word. Once we had found our Indian things, we put them in a
big box and rarely looked at them. Some men came from the Smithsonian and were
given what they chose, and sometimes a scout troop borrowed some for a display
at the county fair. Our understanding was that the search was the thing, the
pleasure of looking.”
As Carter
puts it in his poem: “The trick to finding them is not to be / too sure about
what’s known.”
That is my favorite too among Davenport's essays.
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