Thank God for professional discipline (and a well-exercised sense of humor) or one would soon be unemployed. The virtues of repression – stifling one’s precious impulses – are no longer fashionable, I know, but that’s how I hold on to my job. More than most professionals, academics exude self-esteem. They are walking, talking public-relations firms for themselves. Joseph Epstein learned this lesson the hard way several years ago (though I suspect he already knew it).
As a writer/editor
for a university, I read the copy produced by professors and they read and edit
what I write about them. Certain stylistic proclivities are nearly universal.
All nouns, as in German, are capitalized, especially job titles, regardless of context. Every adjective is preceded by an
adverb. The most popular adverb is “very” – a word my high-school English
teacher taught me to banish because it is empty of meaning. All accomplishments are described
in the superlative. The most highly prized quality of prose is fulsomeness. And
so on.
Critics
might judge my complaints sour grapes, and I’ve considered that. Professors
have Ph.D.’s. I don’t. They make more money, have larger offices and labs, and
generally dress better and have better haircuts. However you gauge “prestige,”
they have more. None of that irks me. I’m already paid more than I’m worth. I
make many times more money than my father, who was an ironworker. In other
words, he had a marketable trade. I’m eminently expendable. All of that is just
fine with me.
A reader on Friday, after reading that day’s post on Theodore Dalrymple, sent me an essay Dalrymple wrote in 2007, "Comfort for Failures," for the British Medical Journal. It begins:
“Triumphant
success—in others, I hasten to add; I've never experienced it
myself—intimidates me and makes me feel stupid. Why am I not similarly
successful, though quite intelligent enough to be so? I suppose it boils down
to character, or what these days is called personality.”
I don’t
share Dalrymple’s sense of intimidation when in the company of the nominally
successful. If anything, it amuses me. And I do enjoy conversations with some
members of the faculty, especially those who are older, securely tenured and
have interests beyond the narrow range of their research. We can talk about normal
things like family and books. Dalrymple gets more interesting when he turns to a
literary interest:
“It is
because success is so intimidating, I imagine, that I find the poetry of Philip
Larkin so appealing. It exudes a reassuring hopelessness, and brings solace to
us failures, who after all are in the immense majority. Dissolution and death
are our fates, however self-important we may have been in life. What, in the
end, can we hope for or expect, other than ‘Ash hair, toad hands, prune face dried into lines’”?
I have never
understood readers who find Larkin “depressing.” His poems are too smart, too
beautiful, often too funny, too revealing of human nature to be depressing.
Are you a successful writer? You make a salary, get benefits, and maybe a 403b plain - plus all that you'll get from social security. Start from the beginning of your career and add all that up. I've done this for myself, and realized that as a writer, I've made a couple of million dollars over the years. If that doesn't make me a successful writer, what does?
ReplyDeleteThis is not related to your post, Patrick, but a thought that occurred to me while reading a film review of "The Lost King" in the NY Times today:
ReplyDeleteLiterary criticism is the only form of creative critique that is presented in the same medium as its subject matter.
When I read a film review, for example, I often wonder what gives the critic the authority to comment on something they do not do: make movies. Likewise for fine arts, such as painting or sculpture. What if a film critic had to present their thoughts visually? Or an art critic had to paint their views on a recent exhibit?
Literary critics are writers who write about writing. Perhaps this is all nonsense, but, as a writer, I drew some comfort in that realization.
The older I get, the lower the bar to my happiness.
I should add that I have a similar position to our host, in a different type of institution.
ReplyDelete