“His poems are not much read now.” Sad words, often deserved but occasionally unjust. Of course, much of poetry is no longer read, not even by those who consider themselves poets. Who besides eccentrics and cranks reads Pope, Tennyson and Longfellow? The opening question is posed by Lord David Cecil in his first book, The Stricken Deer, or The Life of Cowper (1929). He continues:
“Bound in
solid leather and adorned with the sober magnificence of gilt lettering, they
rest upon the upper shelves of old-fashioned libraries, unread from year’s end
to year’s end, their backs growing drab, drained of hue and lustre by the
strong, destroying sunlight. They are become merely furniture, less valued
because less noticeable than the globes and grandfather clocks and graying
mezzotints that crowd the room around them.”
This recalls Dr. Johnson's satisfyingly tart observation in The Rambler on March 23, 1751: “No place affords a more striking conviction of the vanity of human hopes than a public library; for who can see the wall crowded on every side by mighty volumes, the works of laborious meditations and accurate inquiry, now scarcely known but by the catalogue.”
By the time William
Cowper published his masterwork, The Task
(1785), he had already attempted suicide several times and been committed to an
insane asylum. When in his right mind, Cowper was the sweetest of souls, a
profoundly reverent man, literally God-fearing. He doted on his friends, wrote some of the finest
letters in the language, composed hymns and adopted any animal seeking shelter. In prose, he had a gift for pithy portraiture. This is from the letter Cowper wrote on
his fiftieth birthday – November 26, 1781 -- to his friend the Rev. William
Unwin:
“There are
indeed all sorts of characters in the world, there are some whose
understandings are so sluggish, and whose hearts are such mere clods, that they
live in society without either contributing to the sweets of it, or having any
relish for them.”
That’s the
set-up. Now he delivers this hapless character:
“A man of
this stamp passes by our window continually. He draws patterns for the
lace-makers. I never saw him conversing with a neighbour but once in my life,
though I have known him by sight these 12 years. He is of a very sturdy make,
has a round belly extremely protuberant, which he evidently considers as his
best friend because it is his only companion, and it is the labour of his life
to fill it. I can easily conceive that it is merely the love of good eating and
drinking, and now and then the want of a new pair of shoes, that attaches this
man so much to the neighbourhood of his fellow mortals.”
Condemning?
Yes, but gently so. Cowper by nature was a forgiving soul. He continues:
“For suppose
these exigencies and others of a like kind to subsist no longer, and what is
there that could possibly give Society the preference in his esteem? He might
strut about with his two thumbs upon his hips in a wilderness, he could hardly
be more silent than he is at Olney, and for any advantage or comfort or
friendship or brotherly affection, he could not be more destitute of such
blessings there than in his present situation.”
One might almost hope to earn Cowper’s disapproval. Cecil goes on to quote two stanzas from Cowper’s “To the Rev. Mr. Newton (On His Return from Ramsgate”:
“To me the
waves that ceaseless broke
Upon the
dangerous coast,
Hoarsely and
ominously spoke
Of all my
treasure lost.
“Your sea of
troubles you have past,
And found the
peaceful shore;
I,
tempest-tossed, and wrecked at last,
Come home to
port no more.”
Cowper was
born on November 25, 17311 and died in 1800 at age sixty-eight.
Some poet not being much read now usually tells you more about "now" than it does about the poet. Every time I come across something by Longfellow (as I've done several times over the past few years) I'm always impressed by what a fine poet he was.
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