“[A] reverence for the natural world, and a conviction that intelligent sanity is both more difficult than unreflective complacency and more interesting than madness.”
That’s how
the poet Dick Davis characterized the concerns of Janet Lewis and her husband Yvor
Winters in his obituary of Lewis. The poets were married for nearly
forty-two years, until Winters’ death in 1968. Consider this line from Lewis’
poem “Paho in Walpi” (Poems Old and New
1918-1978, Swallow Press/Ohio University Press, 1981): “The sunlight pours
unshaken through the wind.” A paho is
a Hopi prayer stick, as the poem suggests with “supplication,” “gratitude,”
“entreaty.” Walpi is a pueblo in northeastern Arizona, one of the oldest
continuously inhabited villages in the United States. Throughout her life, Lewis remained interested in the culture of Native Americans. Her first
collection, The Indians in the Woods,
was published in 1922.
“The tape
begins. A few pages are shuffled
Then her
voice is there -- old now, clear, unruffled,
Unassertive,
going again among
Words given
order when the heart was young:
The cadences
are like that vanished race
They would
evoke, leaving almost no trace
On the after
air; gentle, evasive,
Too modest
to accuse or to forgive,
Declaring
simply this was here, and this,
Which is
gone now—the bright frail edifice
O summer
stripped in time’s storm.
But I share –
As the tape
plays – her sense of sunlit air,
Of glades
where uncoerced humanity
Knew wisdom
as a kind of courtesy.”
Lewis is a
poet who can simultaneously think and sing: “wisdom as a kind of courtesy.” In her fiction and verse she is one of the few
essential American writers of the last century, along with Cather, Maxwell, Ellison, Singer, Nabokov,
her husband and a few others. Here is Lewis’ “Country Burial”:
“After the
words of the magnificence and doom,
After the
vision of the splendor and the fear,
They go out
slowly into the flowery meadow,
Carrying the
casket, and lay it in the earth
By the
grave’s edge. The daisies bend and straighten
Under the
trailing skirts, and serious faces
Look with
faint relief, and briefly smile.
Into this
earth the flesh and wood shall melt
And under
these familiar common flowers
Flow through
the earth they both have understood
By sight and
touch and daily sustenance.
And this is
comforting;
For heaven is
a blinding radiance where
Leaves are
no longer green, nor water wet,
Milk white,
soot black, nor winter weather cold,
And the
eyeless vision of the Almighty Face
Brings
numbness to the untranslatable heart.”
Lewis was
born on August 17, 1899 and died on this date, December 1, in 1998, thirty
years after Winters, at age ninety-nine.
Her poem 'The Insect' is the best butterfly poem I've read, by a considerable margin.
ReplyDelete