In his Dictionary (1755), Dr. Johnson illustrates fifteen words with citations from Robert Burton’s The Anatomy of Melancholy (1621): addle, colly, costard, doter, to filch, to fleer, giddyheaded, griper, hotspur, to macerate, muckhill, mutter, oligarchy, quacksalver and squalor. By my count, seven of them would likely be understood, at least in part and making allowances for evolving meanings, by a contemporary English-language reader -- eight, if we acknowledge Shakespeare’s use of “Hotspur.” My spelling software fails to recognize only four of them.
Boswell
famously reports Johnson saying the Anatomy
was “the only book that ever took him out of bed two hours sooner than he
wished to rise,” and it remains inexhaustibly entertaining, an education
between two covers. Take squalor, a
word that always reminds me of the subtitle of Flann O’Brien’s fourth novel, The Hard Life: An Exegesis of Squalor
(1961). Once you start quoting Burton, it’s difficult to stop. His prose in
endlessly amusing, intentionally and otherwise. Here is the larger context for
the sentence Johnson cites for squalor,
found in the section of the Anatomy titled
“Poverty and Want” (as causes of melancholy):
“[L]ike
those people that dwell in the Alps, chimney-sweepers, jakes-farmers,
dirt-daubers, vagrant rogues, they labour hard some, and yet cannot get clothes
to put on, or bread to eat. For what can filthy poverty give else, but beggary,
fulsome nastiness, squalor, content
[OED: “having one’s desires bounded
by what one has (though that may be less than one could have wished”]); drudgery,
labour, ugliness, hunger and thirst . . . fleas and lice . . . rags for his
raiment, and a stone for his pillow . . . he sits in a broken pitcher, or on a
block for a chair . . . he drinks water, and lives on wort leaves, pulse [OED: “edible seeds of leguminous plants
cultivated for food], like a hog, or scraps like a dog . . . as we poor men
live now-a-days, who will not take our life to be infelicity, misery, and
madness?”
In the
section of the Anatomy devoted to cures
for what Burton call “head-melancholy,” here is Burton’s
other use of squalor:
“ . . . to
avoid all passions and perturbations of the mind. Let him not be alone or idle
(in any kind of melancholy), but still accompanied with such friends and
familiars he most affects, neatly dressed, washed, and combed, according to his
ability at least, in clean sweet linen, spruce, handsome, decent, and good
apparel; for nothing sooner dejects a man than want, squalor, and nastiness, foul, or old clothes out of fashion.”
In the
context of so unpleasant a subject as squalor, Burton manages to express empathetic
compassion, with a suggestion of moral outrage, for those living in poverty, a sentiment Johnson would share. Burton
died on this date, January 25, in 1640 at age seventy-two.
Two or three years ago, Penguin Books published a beautiful new edition of "The Anatomy of Melancholy" in a huge hardbound volume, with all the foreign-language quotations translation and notes, etc. It's really beautifully done. The whole thing set in a modern font. Penguin really took its time with the volume, really doing it up right. Burton and Johnson would have been proud.
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