Some five years before his
death from cancer, Clive James published the poem “Change of Domicile” in one
of the lesser-known literary magazines – the British Medical Journal’s
Supportive and Palliative Care, the September 2014 issue. Coincidentally,
that’s the month my friend D.G. Myers died from cancer. The poem begins:
“Installed in my last
house, I face the thought
That fairly soon there
will be one house more,
Lacking the pictures and
the books that here
Surround me with abundant
evidence
I spent a lifetime
pampering my mind.”
Sensitive readers, of
course, will be offended: how morbid. Others will be riled by even a
hypothetical account of an afterlife. James’ poem reminds me of the parlor game
my brother and I played in hospice, shortly before cancer killed him. One
of the things I miss most about him is his sense of humor. All our lives we carried
on as though anything can be funny and be made fun of. That doesn’t mean we
broadcasted. Gentle souls are so easily distressed. Our premise, one pondered
by Egypt’s pharaohs, was simple: assuming we survive after death, what do we
bring? Another way of looking at it is to ask what we would miss if we didn’t
bring it. We limited the choice to inanimate objects. I’ll skip the more salacious
stuff. Ken’s immediate answer was music. He was a musician and once owned
enough record albums to fill half a garage – Beethoven, Schoenberg, Johnny
Cash, Louis Jordan, Leon Russell, you name it — all favorites.
Not surprisingly, I said
books, my constant companions in this life. Among the assorted torments of Hell
would be the strict absence of volumes. Or an infinity of books, all written by
Joyce Carol Oates.
In a 1997 essay, “Nearing
Ninety,” William Maxwell expressed his only regret associated with death:
“[W]hen people are dead they don’t read books. This I find unbearable. No
Tolstoy, no Chekhov, no Elizabeth Bowen, no Keats, no Rilke.” The last book he
read, in the final months of his life, was War and Peace. When he had
read a third of the book his eyesight began to fail, and the novelist Annabel
Davis-Goff read the remainder of Tolstoy’s novel to him aloud. She recounts the experience in an essay
collected in A William Maxwell Portrait (2004):
“Reading War and Peace with Bill allowed me a rare and privileged view of how a great writer reads. I had, I suppose, known that anyone who writes above a certain level must read differently from most of us. Nabokov, in the introduction to his Lectures on Literature, asks what a reader needs in order to read a book properly. . . . His four correct answers: imagination, memory, a dictionary, and some artistic sense.”
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