One is always in danger of being perceived as a fuddy-duddy. Speak admiringly of rhyme in poetry or elegant prose in fiction and risk being called a reactionary (which I was just yesterday) or an old fart (which happened last week). Stevie Smith diagnoses the type in “Souvenir de Monsieur Poop” in her second collection, Tender Only to One (1938). Her poem begins:
“I am the self-appointed
guardian of English literature,
I believe tremendously in
the significance of age;
I believe that a writer is
wise at 50,
Ten years wiser at 60, at
70 a sage.”
Smith wrote that the year
she turned thirty-six. Age has little to do with such things. There are youthful prodigies and late bloomers among writers and readers. It’s not a matter of combatting
the prevailing critical and popular fashions. It’s more a matter of articulating
one’s standards, work new or old that goes on and
compelling us to reread it.
“But then I am an old
fogey.
I always write more in
sorrow than in anger.
I am, after all, devoted
to Shakespeare, Milton,
And, coming to our own
times,
Of course
Housman.”
There are worlds of
hard-won irony in those lines. Later in the poem Smith writes: “(When I say
that I am an old fogey, I am, of course, joking.)”
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