“Decided
to give William Carlos Williams one more chance out of simple Christian
charity. Reread half a dozen of his doctor stories, and no, I can live very
well without W.C.W. They are slapdash and carelessly wrought. I would rattle
his pedestal.”
I
would as well. Most writers today are overrated but few as extravagantly so as
Williams. He reminds me of the musical illiterate who sits at the keyboard plinking,
without a thought for others in the room. His influence has inspired thousands of
tin ears to imitate his anorexic lines in poems and prose.
For
me, the sentiment quoted above reads like an echo of a twenty-three-year-old
conversation. It comes from Diary
(Yale University Press, 2011) by Richard Selzer, the retired surgeon and
professor at Yale. In 1992, I interviewed him by telephone when he published a
memoir, Down from Troy: A Doctor Comes of
Age. Troy, N.Y., where Selzer was born in 1928, is just up the Hudson River
from Albany. I worked as a reporter for that city’s newspaper, and read the
book as local history. Selzer’s father was a general practitioner in Troy. The
only thing I remember from the memoir is Selzer’s description of the contents
of the senior Dr. Selzer’s medical bag: worthless. The effectiveness of medical
science in the first half of the twentieth century was more wishful than real.
A
few weeks later, Selzer came to a small town outside Troy to give a reading from
his new book. I got there early and we took a walk. I brought up the topic of
doctor-writers – Keats, Sir William Osler, Chekhov, Louis-Ferdinand Céline,
Walker Percy – and I recall two of his judgments. In brief: Sir Thomas Browne,
good. William Carlos Williams, bad. At least on this matter we were copasetic.
I’m
skimming Selzer’s Diary. Unless one
is already smitten with the author, one reads diaries, journals and collections
of letters in search of small dazzlements or points of irritation. With a
middling writer, expectations are low. Selzer’s mind and prose are not that
interesting, and like most published diaries, his is a vanity project. He is a
little too impressed with his own insights, but does tell a good story about
surgically removing Robert Penn Warren’s gallbladder and a stone from his bile
duct in 1954.
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