1. Cunningham
says: “An artist must follow a model. That is the meaning of mimesis.”
Don
Colacho says: “I have no pretensions to originality: the commonplace, if it is
old, will do for me.”
2.
Cunningham: “The quiet, plain style. It is noticeably unnoticeable. Two
examples from Stevens: `The house was quiet and the world was calm.’ And: `junipers
shagged with ice.’”
Don
Colacho: “Perfect prose is prose which the ingenuous reader does not notice is
well written.”
3.
Cunningham: “The writer seeks the unique in the common language.”
Don
Colacho: “Being common and customary without being predictable is the secret of
good prose.”
4.
Cunningham: “It would be indecorous to ascribe a fault to Jane Austen.”
Don
Colacho: ‘It is not just to reproach this century’s writers for their bad taste
when the very notion of taste has perished.”
5.
Cunningham: “The finder of his theme will be at no loss for words.”
Don
Colacho: “Words arrive one day in the hands of a patient writer like flocks of
doves.”
6.
Cunningham: “The writer seeks the unique in the common language.”
Don
Colacho: “The only indices of civilization are the clarity, lucidity, order,
good manners of everyday prose.”
1 comment:
Thanks, Patrick, for noticing the parallels of the aphorisms of Gómez Davila with the classroom remarks of Jim Cunningham, as preserved by D. G. Myers on his blog. Familiar as I am with Don Colacho's work, thanks to your linkage, and have been with Cunningham's work since the days of my youth, I had not noted the similarities in their perceptions of style and language. I cannot undertake it now, but it would be interesting to check out whether more parallels could be found. It is interesting that Myers's record of Cunningham's informal remarks reads almost as if it were a series of deliberate aphorisms. He should be encouraged to post all of the notes that he took. I took classes from him at Stanford in 1945-46, and later became a friend, but never had the good sense to write down what he said.
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