“It is, in
a beautiful sense, thinking aloud, at its most congenial, conversational,
richly anecdotal, and always observant. He is the world’s best companion for
looking at a Venetian building or Gothic carving. He can tell you that the
stone flowers that seem to be mere decoration at the top of a cathedral column
grow wild in the fields round about. He takes nothing for granted; his readers
are children to be taught, to be beguiled into learning.”
This is Guy
Davenport on John Ruskin, and on Guy Davenport, and I number myself among the children
to be taught. An amateur Davenportian digression: Pedagogy, from the Greek παιδαγωγέω (paidagōgeō),
literally “to lead the child.”
I met Guy
only once and exchanged letters with him, but he remains my most lasting
teacher, the one who shared not only what he knew but how he knew it. No mere
professor of English, he lived and taught omni-directional curiosity. The night
before I visited his home in Lexington, Ky., in June 1990, I shared a campground
with several busloads of young Mormon musicians. When I relayed this
information to Guy, he digressed on Joseph Smith, the fecundity of religion
in upstate New York in the nineteenth century, and the geology of Utah, among
other things. With some people, such a disquisition would quickly have turned pointless,
pedantic and ponderously boring. Guy conveyed it with the pointed efficiency of
a one-liner. The rest of the paragraph on Ruskin (The Death of Picasso: New and Selected Writings, 2003):
“For one
of his Oxford lectures he brought a plow, to make certain that his students
knew what one looked like. (The lecture was on sculpture.) He could make
passages from the Bible sound like words you had never heard before. A lecture
that began with Michelangelo ended with the proper shoes for little girls; one
on landscape painting ended with the industrial pollution of rivers and what to
do about it.”
Guy
Davenport was born on this date eighty-five years ago, on Nov. 23, 1927, and
died Jan. 4, 2005.
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