About
a month ago, a growth developed on the right front knee of Barbara, one of the first
cows they bought a decade ago. I saw photos, and it had grown to grapefruit
proportions, but gnarled like a burl on an oak. Barbara wasn’t hobbled but the tumor
leaked blood and pus, and they took her by trailer to the Texas A&M College
of Veterinary Medicine & Biomedical Sciences in College Station. A biopsy
showed it wasn’t cancerous but a surgeon removed the growth and kept Barbara in
the recovery barn for a week. When they drove her back to the farm, the other
cows moved in from the pasture and called to Barbara in welcome, and she called
back. My boss is convinced cows share a sense of kinship and remain loyal to
each other across time and space, like some humans. I’m not skeptical, just
ignorant. In his expanded edition of The
New Oxford Book of Australian Verse (1991), Les Murray includes three poems
by a writer new to me, Peter Kocan. Here is “Cows”:
“Cows
graze across the hill,
Measuring
the day
As
their shadows tell
Irrelevant
time. Their gait is half-way
Between
moving and standing still.
“The
sun is gentle on the green
Of
their meadow, their mouths deep
In
its heavy warmth,
A
watcher could fall asleep
In
the depth
Of
that untroubled scene.
“From
each dewdrop morning
To
every day’s end
They
follow the cycle
Of
the rhythm of the world turning
In
its season. A miracle
Of
normalcy is a cow’s mind.
“Beyond
thought’s prickling fever
They
dwell in the grace
Of
their own true concerns,
And
in that place
Know
they will live forever
With
butterflies around their horns.”
Cows
are maligned for their placidity and contentment in a herd. That’s a gratuitously
harsh judgment. Who needs a hipster cow? What would be the advantage,
evolutionary or otherwise, of bovine waywardness? Read Kocan’s biography. In
1966, he tried to assassinate an Australian politician and spent a decade in a
hospital for the criminally insane. One understands why he might write with
admiration: “A miracle / Of normalcy is
a cow’s mind.” In his autobiographical
novellas The Treatment and The Cure (2008),
narrated by an inmate of a hospital resembling the one where Kocan was
sentenced, he writes:
“There
is a field near the main kitchen where cows from the hospital dairy graze.
There’s a peacefulness about cows. At weekends you take a book and sit under
the tree near the field and read a little and listen to music on your
transistor and watch the cows. Sometimes you lean on the fence and click your
tongue at the cows and they will wander close and sniff at you and examine you
with big peaceful eyes but with a dubious look also, as if they’re wondering
what your game is. You don’t stay leaning on the fence too long. It’s a bit too
visible there. It might look odd. Other people don’t spend their time looking
at cattle. Looking at cattle is probably a symptom of something.”
[See Les Murray's “The Cows on Killing Day” and “Cattle Ancestor.”]
1 comment:
Yay Cows!
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