They
read comic books gussied up as “graphic novels.” The younger one is partial to
biographies and books about music. His brother is reading Hamlet for the first time, Jonah Goldberg’s Liberal Fascism for the second, and volumes about computers,
physics, the oil industry, espionage and finance. Sometimes I think: Where did
I go wrong? But I know it’s healthy for a child's tastes in books to grow waywardly.
The bookish life is rooted in the willingness to experiment, to test one’s
mettle against popular tastes and certified “classics.” Otherwise, reading
turns from pleasure into Gradgrindian obligation and eventually into abstention (that's what public schools are for).
All my sons have been inoculated against the doltish aversion to books common
among their peers. Oliver Sacks writes in Uncle
Tungsten: Memories of a Chemical Boyhood (2001):
“My
reading was voracious but unsystematic: I skimmed, I hovered, I browsed, as I
wished, and though my interests were already firmly planted in the sciences, I
would also, on occasion, take out adventure or detective stories as well. My school,
The Hall, had no science and hence little interest for me—our curriculum, at
this point, was based solely on the classics. But this did not matter, for it
was my own reading in the library that provided my real education.”
We’ve
run out of decent shelf space. That’s the reason for the ruthless purge. I have
some bookcase tops still collecting only dust, and I can stack more books up
there, horizontally, which is unpleasant for practical and aesthetic reasons.
But the boys’ shelves are filled, and they’ve crammed all the available spaces
in their closets and stacked books like unmortared bricks against their walls. These are
teetering. Books passionately read and reread just a few years ago – Captain Underpants
(and anything else by Dav Pilkey), Big Nate, Uncle John’s Bathroom Readers, the
Diary of a Wimpy Kid series – are being
held in escrow against future readers yet unidentified. Some we’ll give away to
the few kids we know who actually read. The others we’ll probably sell to
Half-Price Books, and use the proceeds to buy more books. I’ll contribute a few
expendables, volumes mistakenly sent to me. Just last week the University of
Chicago Press shipped Thresherphobe,
a new book of prose-lineated-as-poetry by someone I had never heard of before (Mark
Halliday) – unreadable stuff another reader might enjoy reading. Paul Johnson
writes in “The Art of Writing a Column”:
“I
do not claim to have read all or even most of the books I own. Some I read many
years after purchase, others never. But I have looked into all of them. I know
what they contain. All are for potential use, as well as pleasure.”
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