Sometimes a line or two will shine from the dimness of an otherwise
undistinguished poem. Much of Auden’s later verse was occasional, prompted by a
births, deaths, weddings or commencements. In his final decade, he wrote poems
about the assassination of President Kennedy and man’s first walk on the moon. By
definition, this is public poetry, prompted by a public occasion but also
implying a pronouncement not hermetic but cheerfully accessible, open to a
large intelligent audience, not merely academics or fellow poets. Auden is a fluent
master of this mode. “Prologue at Sixty” was published on the occasion of his
sixtieth birthday in 1967, in the New
York Review of Books, and collected in City
Without Walls (1969). In book form, the poem is dedicated to Friedrich Heer
(1916-1983), the Austrian historian. It’s conversational, digressive, the talk
of a charming, thoughtful witty man on the cusp of old age. These lines
illuminate the rest for me:
“a Mind of Honor must acknowledge
the happy eachness of all things,
distinguish even from odd numbers,
and bear witness to what-is-the-case.”
“Happy
eachness” is a memorable fine, typical of Auden’s late sense of gratitude for
creation, despite human foolishness and cruelty. One of his best interpreters,
Arthur Kirsch, writes of the poet’s late manner in Auden and Christianity
(2005): “He becomes more interested in forgiveness, thankfulness, and prayer.”
Born on Feb. 21, 1907, Auden died forty years ago this week, on Sept. 29, 1973.
An old friend, now a professor of English in Pennsylvania, came downstairs to
tell me of Auden’s death, and I remember there were tears in his eyes.
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