Few
writers have known as much as Kipling about life – and books. He was not a
university man, never grimly bookish or canon-enslaved, but we still read his
translations of Horace. He was no snob, but a democrat of literature. He read
like a writer, for sustenance, and he wrote for the reader, to give pleasure.
He remains the finest writer of stories in English, and Kim is one of the last century’s best novels by an Englishman, more
readable than anything by Virginia Woolf. Kipling’s reading was wide,
unsystematic and fruitful. He read like an intelligent boy, not a schoolmaster.
He read Henry James assiduously and James returned the favor by writing the introduction
to Mine Own People (1891), a
selection of Kipling’s stories for American readers. One of the few works of
criticism in Kipling’s personal library was Johnson’s Lives of the English Poets, which he claimed to read for the stories,
not the critical judgments. In his address to the boys at Wellington, Kipling
says:
“A
certain knowledge of the classics is worth having, because it makes you realise
that all the world is not like ourselves in all respects, and yet in matters
that really touch the inside life of a man, neither the standards nor the game
have changed.”
To
inhabit lives not our own, to think and feel with another’s sensibility, is
bracing, healthy-minded and democratic, and is Kipling’s unspoken assumption as
a writer. He befriends his readers, as he does his characters, and doesn’t
presume to know what’s best for them. He tells the boys:
“One
can’t prescribe books, even the best books, to people unless one knows a good
deal about each individual person. If a man is keen on reading, I think he
ought to open his mind to some older man who knows him and his life, and to
take his advice in the matter, and above all, to discuss with him the first
books that interest him.”
Over
the weekend, my friend Helen Pinkerton wrote to me about this blog:
“You
are like a teacher taking a student through the library stacks and saying `Read
this. And this. And this.’ `And this is
why.’ That kind of guidance, I think, must be necessary to the coming
generation of students browsing the Net, who would be utterly lost in the
wealth of information available. In the old days, we wandered the stacks; now
they must wander the wilderness of the Net.”
I
would add that I’m wandering too, as was Kipling, though perhaps with more
sense of direction than some. Kipling reminds the boys and us, his readers: “You
mustn’t be afraid of fashions. The thing to remember is that all first-class
stuff is as good and as new and as fresh now as in the day it was made.”
1 comment:
My favorite Kipling story is The Disturber of Traffic -- one of the masterpieces of short fiction in English. If you haven't read it -- highly recommended.
In a review of some new biographies of Keats in the latest NYRB, Richard Holmes mentions a Kipling story, new to me, Wireless -- which I just perused, without thoroughly reading, on line -- in which the ghost of Keats comes through in a wireless Morse code transmission.
It hadn't occurred to me until now -- but there's a kind of synergy between that era's surprisingly widespread confidence in the validity of spiritualism and Marconi's invention. The latter must have bolstered the former.
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