Reading this sketchy portrait of Hyde, learning that he was a Congregationalist, played
piano and was a member of the orchestra at St. Andrew’s, makes his death even
more appalling and incomprehensible. So much promise erased, gone now almost a
century, and yet the war would drag on another three years after his death. A
contemporary of Hyde’s, the poet Edmund Blunden (1896-1974), survived and wrote
the war’s best memoir (better than Graves’, better than Sassoon’s), Undertones of War (1928). Blunden was a
remarkably sensitive but sturdy soul, an utterly attractive man and writer. He’s
superb at almost domesticating the unthinkable. Take this passage:
“A young
and cheerful lance-corporal of ours was making some tea [in a trench] as I
passed one warm afternoon. Wishing him a good tea, I went along three
fire-bays; one shell dropped without warning behind me; I saw its smoke faint
out, and I thought all was as lucky as it should be. Soon a cry from that place
recalled me; the shell had burst all wrong. Its butting impression was black
and stinking in the parados [“a bank behind a
trench or other fortification, giving protection from being fired on from the
rear”] where
three minutes ago the lance-corporal’s mess-tin was bubbling over a little
flame. For him, how could the gobbets of blackening flesh, the earth-wall
sotted with blood, with flesh, the eye under the duckboard, the pulpy bone be
the only answer?”
The horror
only grows:
“At this
moment, while we looked with dreadful fixity at so isolated a horror, the
lance-corporal’s brother came round the traverse.”
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Got a view on Her Privates We by Frederic Manning?
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