My last typewriter I sold almost ten years ago in our first and only garage sale, back in Saratoga Springs, N.Y., shortly before our first move to Houston. It was an electric model, only the second I had ever owned, and once it had seemed intimidatingly high-tech. By 2004, I felt no nostalgia and certainly no sense of momentousness about unloading an outdated tool. Even to me, no technophile, my typewriter, unused for years, seemed clunky and labor-intensive. Selling it eased our move and brought in a couple of bucks.
In a new poem, “The Privacy of Typewriters,” the great Australian poet Les Murray, born in 1938, feels otherwise. He calls himself “an old book troglodyte,” meaning he writes poems longhand and types drafts “as many times as need be.” He claims to fear the computer but his anxiety sounds stylized and self-consciously contrarian, and I think his true objection is less to the computer than the internet. I sympathize but can’t agree. I’ve been at it too long to give up copying, pasting and italicizing with a tap of the mouse. Murray protests “text that looks pre-published,” a homemade elegance I admire, but smartly adds, “and perhaps has been.” Defending his typewriter, he writes:
“I trust the spoor of botch,
whiteouts where thought deepened,
wise freedom from Spell Check,
sheets to sell the National Library.”
As an unceasing reviser, a habit I acquired as a newspaper reporter working on word processors, I too “trust the spoor of botch.” Typos and other errors are a useful part of the process, like changing a ribbon or rebooting. They signify “thought deepened,” whereas “first thought, best thought” signifies narcissism. I too hate the digital nagging of Spell Check.
As a young woman, the mother of one of my college roommates had worked as a secretary or typist for H.L. Mencken. She held on to the typewriter and gave it to my friend, who kept it on his desk in our dorm room. It was tall, black, noisy and heavy, a big piece of machinery at once archaic and intimidating, today best stored in a museum where young people can stare at it and feel superior.
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3 comments:
I love the way 'spoor of botch' looks like a typo, even though it isn't. Where is that poem published?
Sorry - silly question, I've just opened the link.
I found that what I missed most about typewriters was the sound. The click-click-click seemed to be an integral part of what I was writing. A combination of clacks – for example, the two short bursts then a longer one of a preposition, an article, then a noun – gave a kind of aural – musical, actually – image of what I had just written.
I sometimes use a program I downloaded called Clickey, which allows the computer keys to click like a typewriter. Unfortunately, with Clickey every key clicks, the space key, backspace key, shift keys, etc., so the verbal/sonic conjunction is not as clear-cut as it was with a typewriter.
I’ve promised myself to look for a better program that will let me choose which keys will click and which not, but I haven’t gotten around to it yet.
As for Spell Check – I don’t let it nag me as I write. I run it only when I am finished.
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