“It
seems to be the fate of man to seek all his consolations in futurity. The time
present is seldom able to fill desire or imagination with immediate enjoyment,
and we are forced to supply its deficiencies by recollection or anticipation.”
Johnson
is not a writer for those seeking palliative uplift. Even
without knowing the autobiographical subtext, his thoughts stir us with
their dignity and gravitas, but offer little consolation. Nowhere does he mention Tetty nor her illness
and imminent death, nor does he resort to the first-person singular. He never mentions
God, but writes:
“…this
felicity is almost always abated by the reflection that they with whom we
should be most pleased to share it are now in the grave. A few years make such
havock in human generations, that we soon see ourselves deprived of those with
whom we entered the world, and whom the participation of pleasures or fatigues
had endeared to our remembrance.”
The
essay moves with the inexorability of a syllogism, dispatching the false consolations
of material wealth and renown. “Hope is the chief blessing of man,” he
concludes, hinting at the afterlife, “and that hope only is rational, of which
we are certain that it cannot deceive us.” Rambler #203 is logically argued and tightly
written, as though only artful form could contain Johnson's anguish. His discipline
as a writer and his instinct for form are the opposite of Emerson’s and his more recent heirs. Charles Lamb, in an undated fragment collected in Vol. 6 of the Life, Letters and Writings of Charles Lamb
(ed. Percy Fitzgerald, 1892), writes of Dr. Johnson:
“A
close reasoner and a good writer in general may be known by his pertinent use
of connections. Read any page of Johnson, you cannot alter one conjunction
without spoiling the sense: it is a linked chain throughout. In our modern
books, for the most part, the sentences in a page have the same connection with
each other that marbles have in a bag: they touch without adhering.”
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