Among the
most valuable sources of writerly know-how published during my lifetime is The Poetic Art (Carcanet, 1975), C.H.
Sisson’s translation of Horace’s Ars
Poetica. The work consists of a ten-page overview titled “The Ars Poetica in English Literature,” the 467-line
translation and twelve pages of notes. There’s nothing stuffy about any of it.
The practical advice quoted at the top comes from the notes to lines 40-78, in
which Horace (via Sisson) commends the use of new coinages, saying that “new-made
words can flower, if they come from good roots.” The pun is tartly precise. He
adds that neologisms should “not be allowed to run wild.” Characteristically, Sisson urges
tradition-minded novelty, moving forward while ever looking back:
“For why should the reader
Allow to
Sterne what he will refuse to Joyce?
And why
should I not add something, however little,
To the
language which Chaucer and Shakespeare made more pointed?”
To read A Dictionary
of the English Language (1755)
is at once endlessly entertaining and instructive. Johnson supplemented the 42,773 words in the first edition with roughly 114,000 quotations, most
frequently from Shakespeare (about 17,500 citations, about fifteen percent of
the total). Every serious writer, even if he doesn’t read it cover to cover, should
at least keep Johnson’s Dictionary handy, in lieu of grad school. It’s cheaper,
less tedious and more reliably informative. Follow each of Johnson’s citations
to their source and you’ll give new meaning to “continuing education.”
The latter half of Sisson’s sentence is worth pondering.
In the writing trade, masters are few. Most of us remain apprentices, a few are
promoted to journeyman but the learning and hard work never cease. There is no
graduation. Even the better among us remain perpetual beginners. Implicit in
apprenticeship is knowledge handed down. We study under those who excelled
before us even if they died, like Horace, two millennia ago, or Johnson, more
than two centuries ago. Of course, there are no guarantees. Perseverance doesn’t
necessarily forgo failure. Here is Johnson’s definition of apprentice: “One
that is bound by covenant, to serve another man of trade, upon condition that
the tradesman shall, in the mean time, endeavor
[my italics] to instruct him in his art.” And here is Sisson in his notes to
Horace:
“Find what
you can write about and you have solved your problem. Of course the aspiring
writer has to face the possibility that the answer may be, Nothing. At any rate
the beginning, as the continuation, of literary capacity involves a certain
self-knowledge. Nothing is further from it, therefore, than the intoxications
of publicity and reputation.”
2 comments:
The problem is that most current poetry is slight in ideas. In most areas of public and poetical life venality replaces morality and ideology has become a dirty word. There's a lot of pastoral and whimsical poetry about but little that can be styled as big-hitting in the ideas arena.
My favorite song encourages us to:
Live!
And feel no shame
about being happy.
Sing and sing and sing
the bliss of being
a perpetual apprentice.
Viver!
E nao ter a vergonha
De ser feliz
Cantar e cantar e cantar
A beleza de ser
Um eterno aprendiz.
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