A fierce
midday rain last week left shoals of pine needles and dirt on the driveway and
knocked small branches and hard green cones off the loblollies. The crape
myrtle in the backyard was already heavy with pinkish-red blossoms and the rain
snapped off a branch and left it hanging like an oversized bouquet. In the
grass beside it was a possum, seriously dead judging by the flies that swarmed
on his face. He was curled into a circle with the tip of his hairless tail on
his head, and his upper lip was drawn back, exposing perfect little teeth. I
lifted him by the tail, wrapped him in a plastic bag and dumped him in the
trash bin. Whether his death had anything to do with the rain and the broken
crape myrtle, I’ll never know. Here is Joshua Mehigan’s “The Bowl” (Accepting the Disaster, 2014):
“For
weeks, the heavy white ceramic bowl
he left
out back lay tilted to one side.
But then
one morning it had been put right.
Was it the
possum, called down late at night
By hunger
from some bony treetop? No.
The possum
only ever tipped it over.
But when a
small bird perched to drink from it,
He
laughed, remembering all night long the rain
Dashing
across the gutters and the roof.
The bowl
was full. The rain had righted it.”
We guess
so much and know so little. We’re surrounded by mundane mysteries, not to
mention grand ones. Inductive reasoning is useful but not infallible. That the
subject of Mehigan’s poem laughed at his conclusion is promising. He knows he
doesn’t know everything.
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