“It
might seem, for instance, that the truth changes as fast as the facts which it
describes. On a day before the Ides of March it was true that Julius Caesar was
alive: on the day after that Ides of March it had become true that he was dead. A mind that would keep up with the
truth must therefore be as nimble as the flux of existence. It must be a
newspaper mind.”
Santayana
is a subtle stylist and I’m still not certain I’m gauging the precise tone of
these lines. A “newspaper mind,” even seventy years ago, is nervous and
glancing, skimming headlines, seldom reading stories to their conclusion,
jumping from crime stories, to comic strips, to baseball scores. In other
words, the opposite of a ruminative, skeptical mind like Santayana’s. This is no
compliment. Is such a mind “nimble”? Or merely superficial? Seeing much, weighing
little, remembering nothing? A newspaper editor once pontificated to a group of
skeptical reporters (I was among them) that journalists deal in “Truth with a
capital `T,’ not truths.” We were young but we snorted knowingly. A newspaper
dwells in the realm of facts (or lies, or errors), not Truth (or truth). If
truth can be gleaned from a newspaper, it must be done in aggregate, weighing
multiple sources. In his next sentence, Santayana glosses the passage: “This,
on the surface, is an innocent sophism, if not a bit of satire, mocking the
inconstancy of things.” Returning to the example of Julius Caesar (born on this date, July 12, in 100 B.C.), Santayana says as
much:
“For
the whispered oracle, Beware the Ides of
March, the tragic event was future; for the Senators crowding round Pompey’s
statue it was present; for the historian it is past: and the truth of these
several perspectives, each from its own point of origin, is a part of the
eternal truth about that event.”
Note
the adjective: “eternal.” Santayana admired Lucretius, author of De Rerum Natura. In his translation of
the poem (1976), C.H. Sisson writes:
“Fools
have a preference for secrets in intricate language
And
you might say their way of detecting the truth
Is
to try a favoured formula out on their ear-drums
And
if it sounds musical, that is enough for them.”
Santayana writes of the Roman poet in Three Philosophical Poets: Lucretius, Dante,and Goethe (1910):
“Thus
wisdom clothes the same moral truths in many cosmic parables. The doctrines of
philosophers disagree where they are literal and arbitrary, — mere guesses about
the unknown; but they agree or complete one another where they are expressive
or symbolic, thoughts wrung by experience from the hearts of poets. Then all
philosophies alike
are ways of meeting and recording the same flux of images, the same vicissitudes
of good
and evil, which will visit all generations, while man is man.”
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