“The
huge statue in the Lincoln Memorial at Washington radiates serenity, nobleness
and dignified kindheartedness. The elongated head, rimmed by a beard and
receding hair, is turned to the entrance, and from underneath the heavy eyelids
it watches the miniscule figures of visitors who climb the stairs and walk
among the massive Doric columns, to stand in absolute silence in in the open
space of this semi-temple.”
The
Memorial is a rare public space that elicits powerful, reverential emotions
privately. The nearby Vietnam Veterans Memorial is another, as are Gettysburg
and other Civil War battlefields I’ve visited. Even in crowds of strangers, one
feels alone with Lincoln and one’s thoughts. Because he was homely and grew up
poor, because he loved books and knew severe depression, and because he wrote
like an angel and embodied so many American ideals, we feel an inexplicably
personal link with Lincoln, almost a friendship, as some do with Dr.
Johnson, and for similar reasons. When I visited the Memorial in 1986, I bought
a copy of Benjamin P. Thomas’ Abraham
Lincoln: A Biography (1952) in the gift shop near the president’s left
foot. As a physical object, the book is nothing special – a Modern Library
reprint when those editions came in drab, buff-colored covers – but it ranks high
among the small collection of valuable books on my shelves.
Holub
quotes General Sherman (“Out of all the men I have ever met, he had the most
traits of greatness combined with goodness”), notes Lincoln’s “extreme
melancholia” and his odd physical appearance, and reviews the details of
Lincoln’s assassination. He writes (and one mustn’t forget that Holub is
writing in the late days of the Soviet Empire):
“In
the political arena, he bore everything with resignation and singularly
moderate humour. He was incapable of rhetorical improvisation, but filled his
speeches with straightforward wisdom that is still quoted. However, even as President
he gave an impression of permanent exhaustion: `as he walked, melancholy was
dripping from him,’ in the words of a contemporary [Lincoln’s law partner and
biographer William Herndon].”
Holub,
who worked as a clinical pathologist as well as an immunologist, seems to endorse
the theory that Lincoln had Marfan’s syndrome, a genetic disorder of the connective
tissue. Post-mortem diagnosis of great men and women is always interesting and
seldom convincing (again, like Dr. Johnson, who is said to have suffered from
Tourette’s syndrome). The condition is named after Antoine Marfan, the French
pediatrician who first described it in 1896. After reviewing the evidence scientifically,
Holub takes a playful, metaphorical approach for the first time in the essay.
He concludes the president probably had Marfan’s syndrome and “a deviation in
the pituitary gland,” which, he says:
“…is
undoubtedly a safer diagnosis than that of a political and cerebral cause of
death. The establishment of a safe diagnosis of such a syndrome certainly does
not follow the usual historical path of celebrating the celebrities, nor is it
within the boundaries of historically acceptable ailments of great men, which
include mainly diseases of the heart and lungs, exhaustion from statesmanship
and wounds inflicted in battles, and, at the extreme, endocrinologic deviations
and deformations of body and personality. It appears however, that this
diagnosis does not spoil anyone’s fun either.”
Daniel
Chester French’s statue of Lincoln in the Memorial, made of Georgia white
marble, weighs 159 tons. The seated figure of Lincoln measures nineteen feet from
the sole of his shoes to the crown of his head. If he were upright, the sculpted
Lincoln would stand twenty-eight feet tall. Here’s Holub’s conclusion to “The
Statue”:
“In
any case, the statue in the Lincoln Memorial is also a six-metre-tall marble
monument of the external symptoms of Marfan’s syndrome. Not many of our
syndromes get such a statue. Not many of us, despite all syndromes, get to be
Lincolns.”
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