The
stickers show up unexpectedly, on the arm of a rocking chair or slapped on the
back of the boxed OED. Red, blue and
yellow, they plot our too-frequent moves across the country -- from Saratoga
Springs, N.Y., to Houston in 2004, Houston to Seattle in 2008, and back to Houston
in 2012. Moving companies are sticker-happy, fearing loss of household goods.
The numbers on each sticker correspond to the items listed on handwritten
inventories made by the movers as they empty your house. Jonathan Swift’s
friend Thomas Sheridan (1687-1738)made such a list in “A True And Faithful
Inventory Of The Goods belonging to Dr. Swift, Vicar Of Lara Cor; upon lending his
House to the Bishop of Meath, until his own was built,” written in 1724 at his
friend’s urging. Swift liked Sheridan’s poem so much he included it in a volume
of his own poems:
“An
Oaken, broken, Elbow-Chair;
A
Cawdle-Cup without an Ear;
A
batter’d, shatter’d Ash Bedstead;
A
Box of Deal, without a Lid;
A
Pair of Tongs, but out of Joint;
A
Back-Sword Poker, without Point;
A
Pot that’s crack’d a-cross, around,
With
an old knotted Garter bound;
An
Iron Lock, without a Key;
A
Wig, with hanging, grown quite grey;
A
Curtain, worn to Half a Stripe;
A
Pair of Bellows, without Pipe;
A
Dish, which might good Meat afford once;
An
Ovid, and an old Concordance;
A
Bottle Bottom, Wooden Platter
One
is for Meal, and one for Water;
There
likewise is a Copper Skillet,
Which
runs as fast out as you fill it;
A
Candlestick, Snuff dish, and Save-all,
And
thus his Household Goods you have all.
These,
to your Lordship, as a Friend,
’Till
you have built, I freely lend:
They’ll
serve your Lordship for a Shift;
Why
not as well as Doctor Swift?”
Nothing
exotic here – in fact, it’s the inventory’s dreariness that makes it interesting,
amusing and a little sad, as catalogs of objects often are. Footnotes are in
order. “Cawdle-Cup” is more often spelled “caudle cup.” Caudle is a warm
beverage made, says the OED, of “thin
gruel, mixed with wine or ale, sweetened and spiced, given chiefly to sick
people, esp. women in childbed.” A few years after Sheridan and Swift, Fielding
in Jonathan Wild refers to “a Pint
silver Caudle Cup, the Gift of her Grandmother.” “Deal” is a profligate word in
English. Sheridan/Swift, I think, refers in “a Box of Deal” to “a plank or
board of pine or fir-wood.” A “Back-Sword” has a single edge.
With
Swift, nothing is simple or merely one thing. Most of the items on Sheridan’s list
are broken and little more than trash. Does the poem represent a generous
invitation or a nose-thumbing of contempt? It’s more complicated than that. Leo
Damrosch in Jonathan Swift: His Life and
His World (2013) notes that Sheridan’s verse was a response to a poem Swift
had written after staying at Quilca, Sheridan’s country house in County Cavan.
Here is Swift’s “To Quilca, a Country House not in Good Repair”:
“Let
me thy Properties explain,
A
rotten Cabin, dropping Rain;
Chimnies
with Scorn rejecting Smoak;
Stools,
Tables, Chairs, and Bed-steds broke:
Here
Elements have lost their Uses,
Air
ripens not, nor Earth produces:
In
vain we make poor Sheelah toil,
Fire
will not roast, nor Water boil.
Thro’
all the Vallies, Hills, and Plains,
The
Goddess Want in Triumph reigns;
And
her chief Officers of State,
Sloth, Dirt, and Theft around
her wait.”
Whether
guest or host, Swift remains reliably himself.
2 comments:
Exactly! And there's CH Sisson cavilling about whether there's such a thing as human personality.
By happenstance I went immediately from these inventories to Yeats's "The Circus Animals' Desertion," wherein Part III:
Those masterful images because complete
Grew in pure mind but out of what began?
A mound of refuse or the sweepings of a street,
Old kettles, old bottles, and a broken can,
Old iron, old bones, old rags, that raving slut
Who keeps the till. Now that my ladder's gone
I must lie down where all the ladders start
In the foul rag and bone shop of the heart.
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