In
June 1950, Malcolm Muggeridge visited Max Beerbohm at Rapallo. The great
essayist was then seventy-seven years old. In Like It Was: The Diaries of Malcolm Muggeridge (1981) he writes of
Beerbohm: “His face very old, somehow shaggy, gentle, quite sad; affectionate,
gentle, sad eyes; head bald, very browned from the sun. Speaks in a slightly
tremulous way, but with perfect lucidity. No clouding of his mind, but a
wearying, a slow fading out.” Muggeridge tells us they spoke of interior
decorators, the painter John Churchill and newspapers. Beerbohm said he first read
the headlines, and if the news was bad he moved on to another story. Muggeridge
writes:
“I
heartily agreed, and pointed out that [Samuel] Johnson had taken this view. He
was glad to know it was Johnson who, he said, was one of the few cases of man
of powerful intellect who was also sensible. So many others, he had found, were
brilliant, learned, etc., but essentially silly in their attitude to life. In
illustration of his point, I quoted Johnson’s remark: `Why is it that the loudest whelps for liberty come from the drivers of slaves?’”
The
most rankling thing we can say about intellectuals, the most earnest of people,
is that they are silly. Muggeridge, in fact, is often quite silly and duplicitous,
though seldom stupid. In a diary entry from 1960, four years after Beerbohm’s
death, Muggeridge refers to him as a “sweet, indolent old fraud.” Beerbohm the
master ironist was the least fraudulent of writers and men. His love for Johnson
was heartfelt. In “London Revisited,” a radio broadcast from 1935, Beerbohm
said: “Well, Dr. Johnson had a way of being right. But he had a way of being
wrong too—otherwise we shouldn't love him so much.” And I’ve written before
about Beerbohm’s “A Clergyman,” his recasting of a well-known incident recounted
by Boswell. At least on occasion, Muggeridge shared Beerbohm’s appraisal of
Johnson. In a 1957 diary entry, he describes a visit to a Johnson Society
meeting at Gough House:
“Somehow
very moved to be sitting there thinking about Johnson in very room in which he’d
produced the dictionary. Of all Englishmen he appeals to me most—the best, the
greatest. Taken with quotation referring to his publisher--`Cave has no relish
for humour, but he can bear it.’ Felt this referred to readers of Punch.”
The
line Muggeridge misquotes actually was written by Boswell, though perhaps in
paraphrase of Johnson: “Cave had no great relish for mirth; but he could bear
it . . .” I
find a diary entry from 1962 quite moving, though not well written: “Woke up
with that feeling of being a castaway which Cowper so exquisitely expressed in
his verse. The night still in my head; a sense of being lost and alone in an
inhospitable universe. No refreshment from the troubled night hours. Then
started reading the Pensées (Pascal), and, miraculously, the clouds all
cleared away and my fears dissolved. Such is the power, across three hundred
years, of one clear, true mind on another which, however inadequately, is
striving after clarity and truth . . . The communion with Pascal was greater
than I have ever felt on any previous occasion in reading, or dwelling upon
those who went before.”
1 comment:
I have not regretted the considerable time spent reading and listening to Muggeridge. After death, his nearly immediate slide into anonymity reminds me of Christopher Hitchens - so much of their influence was oral with an accompanying force of personality. Mugg's "Chronicles of Wasted Time" is one of the great memoir titles. "All is Vanity" might have been his motto.
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