I’m grateful to Verlyn
Klinkenborg in More Scenes from the Rural
Life (Princeton Architectural Press, 2013) for precisely articulating my
notion of reading. The first reading of a book is strictly exploratory. Most
can then be stamped “CANCELED,” meaning discarded for good, never to be reread.
Such evaluations, of course, are subject to appeal and in special circumstances
a book can be readmitted to one’s personal library (which is not identical to
the books on one’s shelf). In a narrow sense, there is no such thing as
rereading. We are not, I hope, the person we were forty years or three months
ago. Potentially, it’s a new book when we pick it up again, though verdicts tend
to be final. We read John Steinbeck so we never have to read him again.
“But the real
rereading I mean,” Klinkenborg writes, “is savory rereading, the books I have
to be careful not to reread too often so I can read them again with pleasure.
It’s a miscellaneous library, always shifting.” Klinkenborg gives us a sample
of his savories, which overlap sparingly with my own: Raymond Chandler, A.J. Liebling
and George Eliot, but not Michael Herr or much of Dickens. “There are more
titles, of course. This isn’t a canon. This is a refuge.” I like that qualification.
The list is prescriptive only for me. How
you choose to stock your refuge is your business. Mine is inhabited by, among
others, Leopardi's Zibaldone, Ronald Knox’s Enthusiasm,
Michael Oakeshott’s Notebooks and
Nabokov. Good books possess the paradoxical quality of mutating over time while
retaining their essential character. Klinkenborg writes:
“The real secret to
rereading is simply this: it’s impossible. The characters remain the same, and
the words never change, but the read always does. Pip is there to be revisited,
but you, the reader, are a little like the convict who surprise him in the
graveyard—always a stranger.”
[An earlier, somewhat different version of
Klinkenborg’s essay, “Some Thoughts on the Pleasures of Being a Re-Reader,” was
published in The New York Times in
2009.]
1 comment:
I just made a comment on your more recent posting, but perhaps Klinkenborg's observations explain the puzzlement I expressed there about how a text can be difficult to penetrate as a reader at one point in your life & then strike you as an astonishingly perceptive & interesting revelation at another
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