Sir
John Rupert “Jock” Colville (1915-1987) is best-known for writing The Fringes of Power: 10 Downing Street Diaries 1939–1955 (1985), the diaries he
kept while serving as assistant private secretary to Winston Churchill. About
twenty years ago I went through a Churchill phase, hoping to turn the clownish caricature
I had grown up with, beloved by second-rate comics, into a statesman and first-rate
writer (a rare Nobel Laureate for Literature who deserved the honor). Along
with the diaries I read Colville’s memoir, Footprints
in Time (1976), and together they helped bring Churchill into partial focus
(Colville was also secretary to Chamberlain and Attlee). This week, Roger
Kimball at The New Criterion touted Colville’s
“stylish literary mastery,” and moved me to reread the memoir. For a sample of
Colville’s prose that suggests the subtlety of his wit and the mysteries of historical
continuity, here is the concluding paragraph of his first chapter, “World War I
in the Nursery”:
“November
the 11th, 1918, dawned, though the dawn was unfortunately obscured
by a threatening Pea-Souper. My father was in bed with the Spanish Influenza,
my mother was working as a clerk in the Ministry of Pension and my two brothers
were away at school. I was alone with Nanny when at 11 a.m. the maroons sounded
to announce the glad news that Armageddon was over. `Quick,’ said Nanny, `there’s
an air-raid’. And we bustled downstairs to the basement.”
Colville’s
anecdote suggests that the Armistice didn’t so much end the Great War as pause
it for twenty-one years. Such writing may be indelibly English. This will sound
disloyal, but memoirs, histories and autobiographies written by public figures
in the United States, whether the actors or front-row spectators like Colville,
are seldom more than self-aggrandizing sludge, without redeeming literary qualities
or even good gossip. Here is Colville equitably praising the three prime
ministers he served:
“`They
that have power to hurt and will do none’ are, according to Shakespeare, the
people `who rightly do inherit heaven’s graces’. These three men all had power
to hurt. Churchill in particular, at the summit of his war-time power and
popularity, could have acted as a dictator. It is to their abiding glory that
they never used their power to hurt and that all three looked on themselves as
the servants of the House of Commons.”
Elsewhere,
Colville freely criticizes all three of the prime ministers, especially
Chamberlain, but he writes not out of vindictiveness or revenge (common motives
among memoirists), but with an appreciation for the difficulty of their job and
their forbearance in executing it. Colville concludes Footprints in Time with a lovely anecdote:
“One
evening, a few years before Churchill died, he recited this poem to me. I
cannot trace it, but I wrote it down because I thought he was applying the
words to himself:
“`All
is over! fleet career,
Dash
of greyhound slipping thongs,
Flight
of falcon, bound of deer,
Mad
hoof-thunder in our rear,
Cold
air rushing up our lungs,
Din
of many tongues.’”
Churchill
(or Colville) misremembers some of the words from the opening stanza of “The Last Leap” by the Australian poet Adam Lindsay Gordon (1833-1870). Colville
finishes with these lines:
“He
paused a minute and then he went on:
“`We
tarry on; We’re toiling still;
He’s
gone and he fares the best,
He
fought against odds and he struggled up hill;
He
has earned his season of rest.’”
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