“Mobile
is a city of intimacies that have stood the test of time. On Government Street
the houses shaded by magnolias and Cape jasmines shelter families whose
grandfathers and great-grandfathers were friends. Along the azalea-strewn road
to Spring Hill, the old Episcopal college, today as a hundred years ago, a
black cook bears a gift of wine and jelly from her white folks’ kitchen to the white
folks next door. Affections are strong in this place, for they have been long
depended on.”
Carl
Carmer lays it on a little thick in Stars
Fell on Alabama (1934). The cloud of magnolia-scented nostalgia induce swoons
in the most skeptical readers. He calls it the “loveliest of cities.” Cootie Williams was born here, as was the author of the finest World War II memoir,
Eugene Sledge (With the Old Breed,
1981). Dylan sang about it. Carmer writes:
“It
is easy to become adapted to the rhythm of this city. Acquaintances gradually
become friends. The processes of earning a living are slow and comparatively
unimportant to the living itself. Mobile is a city of the lotos—bringing forgetfulness
of everything except the pleasant passing of the hours.”
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