“An
April Sunday brings the snow
Making the blossom on the plum trees green,
Not white. An hour or two, and it will go.
Strange that I spend that hour moving between
Making the blossom on the plum trees green,
Not white. An hour or two, and it will go.
Strange that I spend that hour moving between
“Cupboard
and cupboard, shifting the store
Of jam you made of fruit from these same trees:
Five loads – a hundred pounds or more –
More than enough for all next summer’s teas.
Of jam you made of fruit from these same trees:
Five loads – a hundred pounds or more –
More than enough for all next summer’s teas.
“Which
now you will not sit and eat.
Behind the glass, underneath the cellophane,
remains your final summer – sweet
And meaningless, and not to come again.”
Behind the glass, underneath the cellophane,
remains your final summer – sweet
And meaningless, and not to come again.”
That
Larkin left the poem unpublished during his lifetime is artistically puzzling,
though not emotionally. Booth even suggests Larkin may have judged it his first
“good poem,” based on an ambiguous remark made years later. It’s an exceptional poem,
tightly written and powerful in the plain-spoken, understated manner of the
mature Larkin, and certainly superior to that better-known “plum poem,” which
is childish, sentimental and not a poem. Booth sees the shade of Hardy in Larkin’s
poem, with the jam reminding the poet of his father just as the burning logs in
“Logs on the Hearth” reminds Hardy of his sister. In his notes to “An April
Sunday . . .” in The Collected Poems (2012), Archie
Burnett hears an echo of XXXIV in Housman’s Last
Poems: “The plum broke forth in green, / The pear
stood high and snowed.” Burnett also quotes a passage from a letter Larkin
wrote to Monica Jones on April 4, 1948, the date he completed the poem:
“My holiday was rather as I expected—my poor
father grew steadily worse & died on Good Friday. Since then mother & I
have been rather hopelessly looking at the stock on the house—this morning I
shifted 100 lbs of jam – 1945, 1946, & 1947 years – and about 25 Kilner
jars of bottled fruit [ . . . ] I don’t
know what will happen to it all – I don’t like sweet things, you remember.”
One reads Larkin at his best, as one reads Henry James
and Chekhov, for many reasons (including pure delight in storytelling – the narrative
impulse in Larkin, who started as a novelist, is seldom far away). Perhaps
chief among those reasons is something Joseph Epstein identified in “Educated by Novels” (A Literary Education,
2014):
“Knowledge of the kind conveyed in novels may not, in any
conventional sense, be useful. All that there is to recommend it is that it
feels true, which, for someone educated by novels, is all the recommendation
required.”
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