While
reading about the Battle of the Somme I kept stumbling upon the name of a poet
who was born four years after the Armistice. I have read little of Vernon
Scannell’s poetry and none of his prose. He was born in Lincolnshire, England, in
1922, the son of a Great War veteran, and enlisted in the Army “as a lark” in
1940, and became a member of the Argyll and Sutherland Highlanders. His
biographer, James Andrew Taylor, describes Scannell as a “serial deserter” who
fought in North Africa, took part in the D-Day invasion and was severely wounded
while fighting in Normandy. He was frequently arrested and spent time in both
military prisons and mental hospitals. Scannell was a boxer and sometimes fought
professionally. He often wrote about both World Wars. In “Naming the Names,” his
speaker visits a cemetery for the Great War dead, where their names outlive “time’s
lithophagous flames”:
“The
Somme, like guns’ far thunder,
Ominous,
yet with a sigh,
Passchendaele,
Mons and Wipers,
Graveyards
where multitudes lie.”
In
“A Binyon Opinion” (Views and Distances,
2000), his refutation of Laurence Binyon’s hollow “For the Fallen,” Scannell
writes:
“I
was there, at Wipers and the Somme.
I
left one leg at some place near Cambrai
And
counted myself lucky, not like Tom,
My
pal, what I won’t see till Judgement Day.”
No
war is identified in his villanelle “Casualty—Mental Ward”:
“Something
has gone wrong inside my head.
The
sappers have left mines and wire behind,
I
hold long conversations with the dead.”
One
of his better-known poems is “The Great War,” which begins:
“Whenever
war is spoken of
I
find
The
war that was called Great invades the mind.”
In
Walking Wounded: The Life and Poetry of
Vernon Scannell (Oxford University Press, 2013), James Andrew Taylor
concludes of an impossible man and poet:
“He
had, like most people, a complex mix of faults and virtues—violent bully, loyal
friend, scholar, drunk, inspiring teacher, sexual predator, and passionate
lover. To love him was never easy—a telling phrase he used in one of his
deceptively light-hearted poems. Lives and relationships are complicated, few
more so than Scannell’s—but that a man should be so long and loyally loved by
those whom he has hurt surely says much about him, and about them as well. He
could be romantic, generous, kind, cruel, deceitful, and bitingly honest, both
in his life and in his poetry.”
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