“For [Dr.]
Johnson, to know a civilization is to know its quotations. To write and speak
one’s language well, one needs to be familiar with important models of its use.
In Johnson’s view, language is in part made by important things said in it.
Just as the actions of individuals or peoples do not just express but also create
their character, so their utterances do not just illuminate but also change the
medium.”
Originality
is a myth. Attentive readers know that good writers are in the recycling
business. It has all been said before. No one starts from scratch. The best a
writer can hope for is to freshly illuminate something already said, and often
said better. Novelty is the adolescent’s (or mediocrity’s) way of getting
unearned attention. We don’t value a writer because he makes it new (as in
Pound’s pernicious diktat), but because he makes it good. In literature, unlike
science, there is no progress. One can even make the case that it’s all been
downhill since Homer and Isaiah (or Dante, or Shakespeare, or Tolstoy).
In the
passage quoted above from The Words of Others: From Quotations to Culture (Yale
University Press, 2011), Gary Saul Morson is glossing Johnson’s observation as
reported by Boswell in his Life. When John Wilkes condemns quotation as
pedantry, Johnson says: “No, it is a good thing; there is community of mind in
it. Classical quotation is the parole of literary men all over the world.”
Morson, like Johnson, is an anti-Wilkes. He revels in quotations and quotes
with approval The Anatomy of Melancholy by Burton, for whom quotations were
oxygen: “We can say nothing but what hath been said, the composition and method
is ours only.” Morson is among the great celebrators of thought and expression:
“Quotations
live as long as they are used, and so long as they are used, they shape
thought, language, and individual personalities. Collections inspire us with
the muse of quotation, and encourage a special sort of reading as roaming. We
get to make a new dialogue from words already spoken. We play, and grow wiser
as we do.”
1 comment:
"In this work [Rape of the Lock] are exhibited, in a very high degree, the two most engaging powers of an author. New things are made familiar, and familiar things are made new." --Johnson: Pope (Lives of the Poets)
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