Kenneth
Baker in The Faber Book of Conservatism
(1993) includes, along with passages from such prose worthies as Swift, Burke,
Newman, Oakeshott and Enoch Powell, a surprisingly substantial selection of
good poems. Here you’ll find Dryden, Pope, Tennyson, Kipling, Yeats and Larkin. As a
caution or clarification, Baker also gives us “The Past” (Not Waving But Drowning, 1957) by Steve Smith:
“People
who are always praising the past
And
especially the times of faith as best
Ought to
go and live in the Middle Ages
And be
burnt at the stake as witches and sages.”
Perhaps as
an implicit gloss on Smith’s poem, Baker’s next entry is a passage from Roger
Scruton’s The Meaning of Conservatism
(1980), including this: “Naturally, nostalgia for the past is more reasonable
than nostalgia for the future; nevertheless it is, like every form of
sentimentality, a way of `standing back’, a refusal to engage in the practice
of rational life.” After Scruton comes another healthy dose of realism, C.H.
Sisson’s “The Commonplace” (Exactions,
1980):
“A
commonplace is good for nothing now
Yet that
is how the world goes, all the same:
Nothing is
what you had when you set out,
And nothing
you will have when you go home.”
Sisson
makes another appearance in Baker’s anthology: “For Canon Brown, Who Likes
Contemporary Speech.” I don’t find this poem in Carcanet’s Collected Poems (1998), and don’t remember having read it before.
At twenty-two lines, it’s too long to quote in full. Sisson is Swiftian in his
rage. Here are his closing lines:
“While you
defile the parish pump
Some of us
like our water clean
And like
to use words we can mean.
And so did
Cranmer, who had to cook
For
standing by his common book.
Write me a
Book of Common Prayer
That is
not made up of hot air
With words
that are as plain as this
And, oh
boy! That will take the piss
Out of
those who wrote Series 3
And (I
confess) out of me.”
The ruckus
described occurred in England thirty-seven years ago, the same year Margaret
Thatcher became prime minister. Here is Baker’s gloss for American readers:
“In the
winter of 1979 the debates over the use of the Cranmer liturgy as opposed to
the modern English version Series 3 came to a head. A pro-Cranmer petition was
signed by 600 well-known people and a Canon Brown from Devizes wrote to the Guardian, saying that such matters
should be left to the Church. This so incensed the poet C.H. Sisson that he
wrote this poem and travelled to Devizes to pin it, like a latter-day Luther,
to the door of Canon Brown’s church. Alas, the organist found it first and took
it down. But it should not be lost to posterity.”
This may
be the first and only publication of Sisson’s poem.
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