I woke
seeing lambs. Coming to from anesthesia is different from morning’s familiar
return to wakefulness. The sense of duration – time passed, life lived -- is
absent. A piece of one’s history is surgically removed, which is why general
anesthesia is a better analog of death than conventional sleep. (Larkin: “The anaesthetic from which none come round.”) And I woke to a vision of white lambs
cavorting in a pasture impossibly green and dense with daisies. I knew why. The
night before I had been reading Wendy Cope’s Life, Love and The Archers: Recollections, Reviews and Other Prose
(Two Roads, 2014), and a piece from 2001, “Larkin’s `First Sight,’” sent me back
to Larkin’s poem of that title in The
Whitsun Wedding (1964):
“Lambs
that learn to walk in snow
When their
bleating clouds the air
Meet a
vast unwelcome, know
Nothing
but a sunless glare.
Newly
stumbling to and fro
All they
find, outside the fold,
Is a
wretched width of cold.
“As they
wait beside the ewe,
Her
fleeces wetly caked, there lies
Hidden
round them, waiting too,
Earth’s
immeasurable surprise.
They could
not grasp it if they knew,
What so
soon will wake and grow
Utterly
unlike the snow.”
Cope says
her first reading of Larkin’s sonnet “knocked me sideways” and made her cry. It
left her “amazed and grateful and sad and happy, all at the same time.” Cope
reveals that she suffered from depression for many years. When she first read
the poem, “the sun was just beginning to come out in my life.” The first half
of “First Sight” with its “vast unwelcome” and “wretched width of cold” is
customary Larkin, Hardy redux. The revelation comes in line eleven: “Earth’s
immeasurable surprise.” What creature, lamb or human, could foresee the gift of spring? It’s just too big, too gratuitously beautiful. The poem’s
effect on Cope reminds me of a friend who has lived with depression for most of
his life. The only thing that once kept him from killing himself was knowing he
could always listen to Bill Evans performing “You Must Believe in Spring.”
1 comment:
Welcome back, Patrick!
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