“The
home shelves had been providing me all along with the usual books, and I read
them with love—but snap, I finished them. I read everything just alike—snap.”
We
never had a lot of books at home until I started accumulating them, but I
recognize the “snap.” That’s how I read my father’s collection of Popular Mechanics and Mechanics Illustrated from the
nineteen-fifties. At the public library, Welty is introduced to the Series
Books (her capitalization), a source of joy for greedy readers. “There were
many of everything, instead of one,” Welty writes. “I wasn’t coming to the end
of reading, after all—I was saved.”
Welty
doesn’t mention it specifically, but ambitious young readers gradually, often
without even noticing, put away childish things. In my case, science fiction
was the first to go. There’s little sustenance in it for an adult. Nominally
grownup books crept in – Twain and Kafka, Perelman and Benchley, Joseph Wood
Krutch and Roger Tory Peterson. The transition is seamless, marred only by occasional
adolescent snobbery. “I didn’t know what I liked,” Welty says, “I just knew
what there was a lot of.” It never occurred to me to be cowed by the bulk of an
individual title or the uncharted ocean of everything ever written. I was too naïve
and having too much fun to develop a Weltanschauung.
Instead, I was an omnivore with gourmand tendencies. Welty puts it
beautifully:
“The
pleasures of reading itself—who doesn’t remember?—were like those of a
Christmas cake, a sweet devouring.”
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