Some
monomanias stick. All readers have obsessions of varying degrees of seriousness
and duration. Among mine are biographies of jazz musicians, the American Civil
War, the history of Communism, etymology and entomology, Judaism, George
Santayana and, lately, boxing. It says something about the nature of a committed
reader – that is, me – that I would rather read about the Sweet Science than
actually go to a fight. I could never take seriously the reader who subsists on
a strict diet of Jane Austen and memorizes her novels like an idiot savant.
That’s a smear of provincially minded readers, not Austen.
A
reader’s life is Shandean, digressive, forever looping back to books consumed
days or decades ago. It has a beginning, middle and end, as does Sterne’s great
novel, but it has been shuffled like a croupier’s deck. No one, not even the
reader, disentangles the palimpsest of a bookish life. I’m again reading minor
Sterne, Journal to Eliza, written in
the summer of 1767 as he died of tuberculosis by increments. Each of his books
dramatizes a race with death: So long as his narrator (a stylized Sterne) keeps
writing, he lives. He writes his diary-letters as Parson Yorick to the latest of
his infatuations, Mrs. Elizabeth Draper. Both were married. Here is the
delicious entry from this date, July 8:
“--eating
my fowl and my trouts & my cream & my strawberries, as melancholy as a
Cat; for want of you—by the by, I have got one which sits quietly besides me, purring
all day to my sorrows—& looking up gravely from time to time in my face, as
if she knew my Situation.—how soothable my heart is Eliza, when such little
things sooth it! for in some pathetic sinkings I feel even some support from
this poor Cat—I attend to her purrings, & think they harmonize me—they are pianissimo at least & do not disturb
me.—poor Yorick! to be driven, with all his sensibilities, to these resources—all
powerful Eliza, that has had this magic! authority over him; to bend him thus
to the dust—But I’ll have my revenge, Hussy!”
There
are readers who find Sterne insufferable – his sentimental longueurs, his smut,
his prose that fills pages and goes nowhere. For me, he’s a comfort, a sustained
serial monomania for forty-five years.
[The
passage quoted at the top is from “The digital challenge, I: Loss & gain,or the fate of the book,” by Anthony Daniels (aka Theodore Dalrymple).]
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