The title
sounds like New Age malarkey: The Quiet
Spirit. The subtitle clarifies things: An
Anthology of Poems Old and New (1946). The editor is Frank Eyre (1910-1988),
an English-born editor at Oxford University Press who lived the latter half of
his life in Australia. Eyre divides his collection into five sections: “Verse: and
the Quiet Mind,” “The Green Shade,” “Ideal Love,” “Night and Sleep” and “The
Final Quiet.” We’re still in New Age territory, it seems, but Eyre has a novel
premise for his anthology. His selections are printed without title or author.
There’s an index at the back that provides that information. In his foreword he says
the 175 poems and excerpts are meant to be read consecutively as if the collection were not
an anthology but a single autonomous work in which “a continuous thread of
poetic thought is sustained throughout.” Playing Eyre’s game and reading the
poems cold reminds me of the Blindfold Test in Down Beat magazine (see the late Walter Becker’s). Here’s one I
recognized:
“Golden
slumbers kiss your eyes,
Smiles awake
you when you rise.
Sleep,
pretty wantons, do not cry,
And I will
sing a lullaby:
Rock them,
rock them, lullaby.
“Care is
heavy, therefore sleep you;
You are
care, and care must keep you.
Sleep,
pretty wantons, do not cry,
And I will
sing a lullaby:
Rock them,
rock them, lullaby.”
That’s
Thomas Dekker’s “Cradle Song” from his 1603 comedy Patient Grissel, later reworked by The Beatles. As poem or song, it’s
a lovely piece of work. Eyre’s tastes are evident. He favors gentle verse and nature
poetry, whether Shelley or Edward Thomas. He seems to have had no taste for
satire or light verse, shies away from humor in general, and includes no Dryden,
Pope, Swift or Dr. Johnson. A good poem I didn’t recognize, though I placed it
in the right century, is by a poet much admired by Yvor Winters:
“If thou sit
here to view this pleasant garden place,
Think
thus—At last will come a frost and all these flowers deface:
But if thou
sit at ease to rest thy weary bones,
Remember
death brings final rest to all our grievous groans;
So whether
for delight, or here thou sit for ease,
Think still
upon the latter day: so shalt thou God best please.”
That’s
George Gascoigne’s “Lines Written on a Garden Seat.” Finally, another poem that
stumped me. Here is the first stanza. Only slowly did I realize the poem is a
sort of riddle:
“My days
among the Dead are past;
Around me I behold,
Where'er
these casual eyes are cast,
The mighty minds of old:
My
never-failing friends are they,
With whom I
converse day by day.”
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