Some writers
we go on reading even when their time has passed and they are no longer in
vogue, or when their faults and failings are undeniable. To acknowledge Max
Beerbohm or Ivy Compton-Burnett as “minor” is no reason to stop reading them.
Not everyone is cut out to be Marcel Proust. Such readerly attachments are
mistaken for sentimentality or a flawed critical sense, when they are
acknowledgements of affinity. They answer some temperamental/aesthetic need in
us as readers and perhaps as writers. Here is Edwin Arlington Robinson writing
to his friend Harry de Forest Smith on April 22, 1894:
“Excepting The Task I have read little during the
past week. I wonder why it is that I like Cowper as I do? Something tells me
that he is not, and never will be, one of the really great poets, although in
occasional passages he is well nigh unsurpassable. There is much of the sandy
desert in his work, but still it is comfortable traveling. The green and
glorious places that come every little while are all the brighter for the
comparative barrenness around them.”
Makes sense,
but I hadn’t made the connection. Cowper and Robinson are solitaries. Both are
melancholics, with Cowper shading into suicidal madness. Both have a droll
sense of humor, Robinson more obviously. Cowper had a strong religious sense,
often tortured. Robinson had none. The letter continues:
“[Cowper’s] religion
is akin to mawkish to a man of my doubts, but I readily overlook that in the
consideration of his temperament and his surroundings. He is popularly and
justly, I suppose, called feminine; but human nature has a word to say
regarding such matters, and a little sympathy is not likely to be wasted upon
this poet. His timidity was a disease, and the making of verse and rabbit
hutches, together with gardening, was his occupation. He was a strange man; and
this strangeness, with its almost pathetic sincerity, go to make up the reason
for my fondness for his poetry.”
Robinson is twenty-four
and a sophomore at Harvard. After the death of his father, he will be forced to
drop out at the end of the academic year for financial reasons. He never earned
a degree. A little more than a week later, on May 1, Robinson writes to Smith
again and promises to send him a copy of The
Task. His advice to his friend is excellent:
“Never read
it when you are in a hurry, depend upon finding much that is commonplace, and
do not let Book I count for too much in your opinions. You must read with an
eye ever open for detached good things rather than for a continuous presence of
splendid poetry.”
Cowper and
Robinson are the poets of sadness and loss (not to be confused with self-pity, on most occasions), themes as important as happiness
and celebration. Robert Frost, in his introduction to Robinson’s posthumously
published King Jasper (1935) called
him “a prince of heartachers.”
[Quotations
are from Untriangulated Stars: Letters of
Edwin Arlington Robinson to Harry de Forest Smith 1890-1905 (Harvard
University Press, 1947).]
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