“Reinhart
unwrapped himself from the terry-cloth robe and hung it on the back of the
bathroom door by means of the embroidered label (BIGGIES. FOR A LOT O’ GUY,
trademark for a mailorder house specializing in the needs of the outsized), so
obliterating the fun-house image of his gross nudity in the full-length mirror
thereupon.”
But I also remembered the first time I
encountered adiposity, which I understood only from its context in H.L. Mencken’s
Happy Days (1940), the first
installment of his “Days” trilogy:
“This
adiposity passed off as I began to run about, and from the age of six onward I
was rather skinny, but toward the end of my twenties my cross-section again
became a circle, and at thirty I was taking one of the first anti-fat cures, and
beating it by sly resorts to malt liquor.”
For
additional clarification, consult the Ur-text
for such matters: Between Meals: An
Appetite for Paris (1962) by A.J. Liebling.
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