There’s no
way to gauge the sincerity of such lists, of course, and perhaps we should be
grateful people still feel that parading their bookish leanings makes them look
good. In contrast, consider the reading preferences of Philip Terzian, who was
literary editor at The Weekly Standard
from 2005 to 2017. In a National Review interview, Terzian is asked: “If — in a gross miscarriage of justice, obviously
— you were sentenced to a long term in a penal colony, which four books would
you take with you?” He responds:
“For the
purposes of answering an impossible question, I’ll stick to imaginative
literature: Piers Plowman, by William
Langland; Seven Men, by Max Beerbohm;
Murder in the Cathedral, by T. S.
Eliot; and Babylon Revisited and Other
Stories, by F. Scott Fitzgerald.”
All sensible
choices, with the added virtue of being unexpected. The only title even dimly
in contention for my list would be the Beerbohm, though I admire the variety –
evidence of broad reading. The impression is strengthened by Terzian’s supplemental
list:
“As you
might have guessed, I have a small bookcase at the foot of my bed stocked with
perennial favorites — Ben Jonson, Faulkner, Dr. Johnson, medieval miracle
plays, the Alanbrooke diaries, Our Times,
by Mark Sullivan. But
new books currently on my nightstand are John Bew’s life of Clement Attlee; On Human Nature, by the newly knighted
Roger Scruton; and Language of the
Spirit: An Introduction to Classical Music, by Jan Swafford.”
Terzian
himself wrote a good book: Architects
of Power: Roosevelt, Eisenhower, and the American Century (Encounter Books,
2010). In another interview, Terzian is asked what he would tell a young person
who wishes to become a “professional prose writer.” He says:
“To read
British and American literature, and the great historians and poets and
essayists, especially the voices that still speak clearly and powerfully across
time. Samuel Johnson is as vivid today – at least to me – as he was two
centuries ago. You have to decide, at some point, whether writing is a vocation
or an avocation, and understand that the point is not necessarily income or notoriety
but the satisfaction of craftsmanship.”
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