Simon’s
assessment of Kennedy’s work is mixed. It’s “lively” and “rousing”: “Mr.
Kennedy is a curious cross between the boulevardier and the Metaphysical: he
believes in the well-made, witty but significant, poem, donning its top hat and
its Donne.” And then Simon says: “But when the wit fizzles or the elegance gets
creased, things look sorry indeed.” He quotes the final stanza of “On a Child
Who Lived One Minute” and describes it as “Kennedy at his best.” Here is the
entire poem:
“Into a
world where children shriek like suns
Sundered
from other suns on their arrival,
She stared,
and saw the waiting shape of evil,
But couldn’t
take its meaning in at once,
So fresh her
understanding, and so fragile.
“Her first
breath drew a fragrance from the air
And put it
back. However hard her agile
Heart
danced, however full the surgeon’s satchel
Of healing
stuff, a blackness tiptoed in her
And snuffed
the only candle of her castle.
“Oh, let us
do away with elegiac
Drivel! Who can restore a thing so brittle,
So new in
any jingle? Still I marvel
That, making
light of mountain loads of logic,
So much
could stay a moment in so little.”
Kennedy writes
something memorable about the unendurable, while commenting on poetry’s dubious
capacity to do so. The poem always reminds me of Donald Justice’s “On the Death of Friends in Childhood” and Peter De Vries’ novel The Blood of the Lamb (1961). Happy 89th birthday, Mr. Kennedy.
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